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Great White Shark Legend: The Interview, Part 3

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Jeff Goodman interviews Ricardo and Rachel Lacombe about their film, Great White Shark Legend

Great White Shark Legend is a well thought out and developed film. It is sensitively filmed and directed as well as being very informative and revelatory in both hard facts as well as emotional content. I talked with Ricardo and Rachel Lacombe about its making.

Rachel Lacombe

Ricardo Lacombe

 

 

 

 

 

 

 

 

 

Read Part 1 here.

Read Part 2 here.

Part 3

Jeff: I was very happy to see that you had stayed away from the sensationalist blood and guts shots that often go with Great White Shark films. What was your reasoning?

Rachel: Well firstly….we didn’t have many! You don’t really see the blood and guts. If a seal is being eaten you do get some of that, but not much and it’s not regular. You know some TV crews will have to charter a boat for several months to get those shots! You do see some of the aftermath but genuinely being in False Bay, the prime hunting ground in the entire world for observing great whites you see a lot of chasing and splashing but it’s not a gore fest out there. It’s another one of those huge media misconceptions and sensationalist lies about Great Whites. We could make a film about dogs eating bones and portray them as rabid killers if so desired. That’s what many of your newspapers and shark shows have done for far too long now and that’s why what we are telling here is a story that some just don’t want to hear.

Jeff: Did you have to fight any prejudices against sharks while shooting as well as editing the film?

Rachel: Absolutely! That started while Ricardo was looking for backers. We had a lot of interest just from the title and pitch poster from several surfing and diving companies, as in surf equipment, scuba equipment. Many got really excited and were all over it until they realised that the objection to cage diving in the area from surfers in particular would cause them backlash. Lots offered equipment and finance and lots then retracted when they realised we were making a pro cage diving film.

Ricardo: This is why we really wanted people like Brandon Kilbride in the film because he was a surfer, diver and life saver but also worked on shark boats and was pro cage diving. He and Gary Carstens were a bridge between the two worlds which can often be poles apart. I was asked by one of the scuba gear companies who pulled out why we were not featuring a more balanced view of cage diving with arguments from both sides. I told them that the anti-cage diving voice had been heard for so long that I wanted to portray a positive side to it. If anyone wants to make an anti-cage diving film, go ahead!

Jeff: Now the film is completed, where are you trying to get it shown?

Ricardo: We’ve already had it shown internationally. We premiered at the 40 Fathoms Film Festival in South Africa, which felt like a great home for a launch, and since then we have done the festival circuits and been in several festivals in US, Japan, UK and France. We made the decision at a point to bring it to Video On Demand and get it out there online rather than more traditional sales routes.

Rachel: We were honoured to get some coverage on BBC (you can find the clip on YouTube or Vimeo) where we were interviewed about the film and we got such an amazing response to that. There was a real pride knowing you are live to a few million on prime time BBC TV talking about how the media has portrayed sharks so badly. To get that message out to that broad an audience was extremely satisfying and was a great step in the message we were shouting about in the film. You couldn’t buy that kind of publicity to be honest.

Jeff: Have you got another film project up your sleeves or was this the one and only?

Ricardo: Oh it never stops! Since this film we’ve worked on pieces of a vastly different nature, including more recently a piece about baby wearing and baby carrying. When this film was finished I had a lot of interest in what we were making next…would it be more sharks, more wildlife, dinosaurs! I think becoming parents for the second time meant we had to plan passion projects more local as making a film can take years. I’ve done more corporate commissions of course but that’s not sharks right? I have a plan in motion to look at a documentary about farming next and then maybe after that a return to our Great White Sharks. I would love to follow up on the story of children and underprivileged communities in South Africa who live on the doorstep of the ocean and yet have never even been out to sea. ASEC and Shark Spotters do some great work in taking people form the poorer communities out there onto the boat to show them the wildlife and sharks that they share the ocean with. That’s a story I’m itching to tell and we could also incorporate taking our two sons out for the first time too!

Jeff: Is there any advice you would give to anyone thinking of creating their own film adventure?

Rachel: Preparation is everything. You need to tell a story, not just go and make something. What’s the story? What’s the angle? What’s the heart of it? If you don’t have that then go and lock yourself in a room and do that first. Then come back out all cameras blazing. No matter how dazzling whatever you are pointing those cameras at, there needs to be something behind it because that’s where the emotional connection comes in. We didn’t make a film about sharks. We made a film about sharks and people.

Ricardo: There’s a line in an Indiana Jones movie as Harrsion Ford is telling the students how 90% of archaeology is done in the classroom and library. Same thing. For this film, three weeks of incredible shooting on location in South Africa meant two years of preparation and planning, and another year of editing and post production. Be prepared for a long haul but that said… go for it! Do it! Grab any camera you have and go make that film. Don’t be intimated by camera snobs, film school graduates talking tech and film makers’ egos. Just plan it, write it, and shoot it. If the story is there in the first place it will shine through once you laid the foundations.

Jeff: How can people get to see your film?

Ricardo: We’ve had the film online now for download or streaming and had some amazing feedback from it since we did so. You can visit the website at www.greatwhitesharklegend.com or our Facebook page (just search Great White Shark Legend on FB), where you will find a Buy / Rent tab which will link you to the Vimeo On Demand page.

(Direct link to the Vimeo On Demand page is here.)

Since trying to embrace the new world of digital distribution however we have still been bombarded with comments and requests for a physical hard copy version! People still want that format so we decided to start work on a Special Edition for DVD and Blu Ray. We always said this had to offer more than what was already available because that would not be fair to those who have already paid to see it. So we are in the process of putting that together. Wanted it out last year but babies take priority! So definitely this year. We have just recorded a couple of audio commentary tracks for it and are in the process of putting some of those weeks of shark footage that got cut into some bonus features. We also have a whole section of life on a shark boat from the head mounted camera one of the crew had on. Seeing people working on the ocean is really fascinating! So keep your eyes on the website and Facebook page for news on that physical release and the hours of ocean loving extras!

Jeff: Ricardo, Rachel, it has been a pleasure talking with you. I loved the film and I wish you great success with it. One last question. Did you have fun?

Rachel: Absolutely! It was an amazing experience. But the whole thing was not fun. It was work. It was definitely very hard work. Having to film for a day out at sea from before sunrise, and by midnight you are still cleaning camera equipment, checking footage back, charging batteries, eating if you have time and trying to sleep but still buzzing from the sights you have seen that day, and then repeating that again every day for several weeks. So in the moment you are so focused on making this thing the best it can be it’s not like being on a diving holiday. I’m so proud that we got to spread a new message for Great Whites though. The aftermath of the film so far has been beyond fun!

Ricardo: Especially as an indie crew where you are on tight time and tight budgets, you have to put twice as much graft in. Taking stock of it in the moment was challenging, so looking back on the production we did get to see things that some people never get to see in their lives… and we got to see it every single day. Think about it for a second: a couple of shark enthusiasts who went on holiday and several years later ended up spending a close relationship with Rob Lawrence, one of the greatest and most experienced Great White experts out there. What a privilege for us personally and also to know we have made something that many have seen and many have yet to discover that shows a side to Great Whites they have probably not seen before. An honour, a privilege, and yes….immense fun!

Haven’t seen Great White Shark Legend yet? You can buy or rent it at www.greatwhitesharklegend.com.

Jeff is a multiple award winning, freelance TV cameraman/film maker and author. Having made both terrestrial and marine films, it is the world's oceans and their conservation that hold his passion with over 10.000 dives in his career. Having filmed for international television companies around the world and author of two books on underwater filming, Jeff is Author/Programme Specialist for the 'Underwater Action Camera' course for the RAID training agency. Jeff has experienced the rapid advances in technology for diving as well as camera equipment and has also experienced much of our planet’s marine life, witnessing, first hand, many of the changes that have occurred to the wildlife and environment during that time. Jeff runs bespoke underwater video and editing workshops for the complete beginner up to the budding professional.

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The Ocean Cleanup Breaks 10,000,000 KG Barrier

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ocean cleanup

The Ocean Cleanup, the global non-profit project, has removed a verified all-time total of ten million kilograms (22 million lbs.) of trash from oceans and rivers around the world – approximately the same weight as the Eiffel Tower.

To complete its mission of ridding the oceans of plastic, The Ocean Cleanup uses a dual strategy: cleaning up the Great Pacific Garbage Patch (GPGP) to remove the plastic already afloat in the oceans, while stopping the flow of plastic from the world’s most polluting rivers.

Through cleaning operations in the GPGP and in rivers in eight countries, the cumulative total of trash removed has now surpassed ten million kilograms. This milestone demonstrates the acceleration of The Ocean Cleanup’s impact, while underlining the astonishing scale of the plastic pollution problem and the need for continued support and action.

While encouraging for the mission, this milestone is only a staging point: millions more tons of plastic still pollute our oceans and The Ocean Cleanup intends to continue learning, improving and innovating to solve this global catastrophe.

This announcement comes as governments from around the world meet to continue negotiations to develop a new legally binding instrument to end plastic pollution at INC4 in Ottawa, Canada. Representatives of The Ocean Cleanup will be in attendance and the organization will be urging decision-makers to collaborate towards a comprehensive and ambitious global treaty which addresses plastic at all stages of its life cycle and in all marine environments worldwide, including in areas beyond national jurisdiction.

It is encouraging to see that the need for remediation is reflected in the various options for potential treaty provisions. It is essential that the final treaty contains clear targets for the remediation of legacy plastic pollution, and reduction of riverine plastic emissions.

Tackling plastic pollution requires innovative and impactful solutions. The treaty should therefore incentivize the innovation ecosystem by fostering innovations that make maximal use of data, technology and scientific knowledge – such as those designed and deployed by The Ocean Cleanup.

‘After many tough years of trial and error, it’s amazing to see our work is starting to pay off – and I am proud of the team who has brought us to this point.’ said Boyan Slat, Founder and CEO of The Ocean Cleanup. ‘While we still have a long way to go, our recent successes fill us with renewed confidence that the oceans can be cleaned.’

The Ocean Cleanup was founded in 2013 and captured its first plastic in 2019, with the first confirmed catch in the GPGP coming soon after the deployment of Interceptor 001 in Jakarta, Indonesia. After surpassing one million kilograms of trash removed in early 2022, the non-profit project has since progressed to the third iteration of its GPGP cleaning solution, known as System 03, and a network of Interceptors currently covering rivers in eight countries, with more deployments set for 2024.

About The Ocean Cleanup

The Ocean Cleanup is an international non-profit organization that develops and scales technologies to rid the world’s oceans of plastic. They aim to achieve this goal through a dual strategy: stemming the inflow via rivers and cleaning up the legacy plastic that has already accumulated in the ocean. For the latter, The Ocean Cleanup develops large-scale systems to efficiently concentrate the plastic for periodic removal. This plastic is tracked and traced through DNV’s chain of custody model to certify claims of origin when recycling it into new products. To curb the tide via rivers, The Ocean Cleanup has developed Interceptor™ solutions to halt and extract riverine plastic before it reaches the ocean. Founded in 2013 by Boyan Slat, The Ocean Cleanup now employs a broadly multi-disciplined team of approximately 140. The foundation is headquartered in Rotterdam, the Netherlands.

For more information, visit: theoceancleanup.com and follow @theoceancleanup on social media.

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Marine Life & Conservation

Steve Backshall to headline Shark Trust’s flagship event: For the Love of Sharks

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Join a host of amazing, shark loving, speakers including Steve Backshall and the Shark Trust team for an evening celebrating shark conservation at the Royal Geographical Society in London this November.

Date: 29th November 2024

Time: 6-10pm

Location: Royal Geographical Society, London

Tickets: https://www.sharktrust.org/Event/flos24

The event will be a celebration of all things shark. Those lucky enough to get hold of tickets will hear from engaging guest speakers with a passion for sharks.

The line-up includes (*subject to change if unforeseen circumstances arise)

Steve Backshall: One of television’s busiest presenters, BAFTA award-winning wildlife expert Steve has been passionate about the wild world ever since he was young. 

Steve’s impressive TV career has taken him all around the world, investigating a wide array of species and environments. Steve has filmed over 100 hours of children’s wildlife programmes with the BAFTA award winning Deadly 60 franchise and recently, with Sky Nature, for his new series ‘Whale with Steve Backshall’. He has been a patron for the Shark Trust for 10 years.

Simon Rogerson: is a photojournalist specialising in natural history, diving and the sea.

He is editor of SCUBA magazine, the official journal of the British Sub-Aqua Club. Simon started his career as a crime reporter but gravitated towards his ‘less depressing’ interest in underwater exploration, joining the staff of DIVE magazine in 1999. In 2005 he was named ‘Editor of the Year’ in the PPA’s Independent Publishing Awards. Simon also works as a freelance writer, contributing frequently to the Sunday Times and Telegraph, in addition to BBC Wildlife, Esquire, and a host of international diving magazines. He is the author of a book, Dive Red Sea, published by Ultimate Sports. Now based in Berkshire, Simon has been a Patron of the Shark Trust for 20 years.

More speakers to be announced soon. Head to the Shark Trust website to learn more.

The evening will also allow guests the final chance to see the Oceanic 31, shark art exhibition. Some of the artwork will be auctioned/raffled at the event, while the rest will be auctioned online to raise money for the Shark Trust Oceanic Programme.

For the Love of Sharks is an evening with something for everyone who is interested and fascinated by sharks. Join the Shark Trust, their Patrons, Trustees and Staff, along with a host of supporters for this celebration of shark conservation.

For more information or to buy a ticket: https://www.sharktrust.org/Event/flos24

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