Photo / Video News & Reviews
Announcing the Nauticam NA-R Housing for Canon EOS R Camera
NA-R for Canon EOS R
With the Canon EOS R camera, underwater image makers are seeing a full-frame mirrorless camera that incorporates Canon’s dual-pixel autofocus! The EOS R has the ability to be used with the EF lens lineup via an adapter, or the new RF mount lenses with breakthrough features. The EOS-R features a 30.3 MP Full Frame CMOS sensor using the new RF lens mount and a 3.7M dot electronic viewfinder.
The Nauticam NA-EOS-R Housing
The NA-R underwater housing embodies Nauticam’s drive for innovation. For many, the EOS R is a move from a full-frame Canon DSLR. To support both the legacy EF and native R-mount lenses, Nauticam has equipped the NA-R with an N120 port mount. This large diameter port system allows all existing EF-mount DSLR configurations to be used, and is prepared to accommodate the R Mount lenses that will come.
The compact EOS R camera body allows for a small travel friendly form factor, but the housing itself is a professional grade tool. The control layout will be instantly familiar for anyone with experience using Nauticam housings for Canon DSLR cameras.
The Canon EOS R Camera
The Canon EOS R is noteworthy as Canon’s first full-frame mirrorless camera, but also impressive is the number of additional features that are now available with the introduction of the RF lens mount. The RF lens mount features a 54mm diameter that allows for larger rear lens elements that are closer to the sensor, providing increased corner and outer edge sharpness. The lenses can also be more compact than equivalent coverage area EF-mount lenses. RF lenses feature a customizable control ring that can be assigned to control various exposure settings. With RF lenses, manual focus is controlled electronically, allowing the direction of rotation of the manual focus ring of the lens to be configured via the camera menu.
The EOS-R is also capable of using the extensive EF-mount lens lineup via three optional adapters. A simple EF to R adapter, one which supports the customizable control ring and another that features a drop-in filter mount are available.
Features that have made Canon DSLR and Cinema cameras a favorite of underwater image makers are present in the EOS-R. Fast and accurate Dual Pixel Autofocus, 4K Canon Log video recording, and the large 30.2MP CMOS full-frame sensor with outstanding dynamic range and color fidelity have all made their way into this compact and cutting edge camera body.
RF and EF Mount Support
Canon’s EF to RF mount adapters can be mounted on the camera before installation into the housing. When using the EOS R with the adapter and a supported EF lens, the port and extension ring arrangement will be identical to the same setup on a Nauticam Canon N120 DSLR. Existing Nauticam DSLR housing owners can easily share lens port accessories with the new NA-R housing.
Two lens release buttons, one for RF and one for EF lenses used with the optional Canon adapter, are located on the front of the housing to make lens removal through the port opening simple.
An additional control wheel is located on the left side of the housing and will interface with the control ring on the supported EF to EOS-R Mount Adapter with Control Ring using the optional gear (PN 19561).
Intelligent Control Placement
Nauticam engineers are obsessed with providing the most convenient access possible to all key camera controls. This Mission Control philosophy extends to the NA-R where a dual thumb lever and dual sub-lever are placed by the right handle. The upper thumb lever activates the “AF-On” and the lower the “Info” buttons while the sub-lever corresponds to the “M-Fn” and “Record” buttons. Near the left handle is a thumb lever for “Playback” as well as a dedicated switch to change from using LCD to the EVF.
Large knurled and rubberized control dials access the camera’s “main” and “sub” command dials. The two-stage trigger allows for smooth focus and firing activation. Additional buttons for “Menu” and “Focus Point Selection” are also easily reached from the handles.
Flash Triggering
Flash triggering is achieved via one of two optional Flash Triggers, a manual LED trigger (PN 26301) or a TTL Flash Trigger (PN 26321) that use the built-in fiber optic bulkheads with optional fiber-optic cables to trigger supported strobes. For controlling strobes that do not support fiber optic flash triggering, a variety of legacy hot-shoe flash control bulkheads are available.
Key Features
Patented Port Locking System
The NA-EOS-R features Nauticam’s signature port locking system. Ports can be easily installed and securely locked in place. The NA-R will support both RF and EF mount lenses through the N120 Port System.
Housing Locking Latches
The industry’s easiest to use housing closure system, requiring very little hand strength to operate, secures the housing back in place. The latches are safely locked to prevent accidental opening, but are easy to open when needed for a quick battery or memory card change.
HDMI Output Support
The EOS R camera supports 10 bit HDMI video output at UHD resolution (3840 x 2160) at up to 30p. An external monitor or recorder can be used with the M16 HDMI bulkhead (PN 25033) and HDMI (D-C) cable in 190mm length (PN 25036) which come standard in any Nauticam monitor housing package.
What’s Included
- 17329 Nauticam NA-EOS-R Housing
- 25625 M16 Vacuum Valve II (pre-installed)
- 90122 Spare housing o-ring with lubricant and removal tool
- CR2032 Battery (for Vacuum System)
- Padded Travel Case
- Allen wrench set
NA-EOS-R Recommended Accessories
- 19561 Gear for Canon EF-EOS R Control Ring Mount Adapter
- 32201 Nauticam 180 straight viewfinder
- 32203 Nauticam 45 viewfinder
- 26301 Flash Trigger for Canon
- 26321 TTL Flash trigger for Canon
- 81201 Super Macro Convertor 1(2.3x Magnification)
- 81202 Super Macro Convertor 2 (4x Magnification)
- 85201 0.36x Wide Angle Conversion Port with Aluminum Float Collar (incl. N120 to N100 port adaptor)
- Various electrical bulkheads
- 25033 standard HDMI bulkhead with M16 thread
- 25036 HDMI (D-C) cable in 190mm length
- (Both 25033 and 25036 are standard accessories in Nauticam monitor housing)
NA-EOS-R Details and Specifications
- Depth Rating: 100m
- Weight: 3.06 kg
- Dimensions: 360mm(W) x 200mm(H) x 160mm(D)
- Battery for Vacuum system: CR2032
Model Number: 17329
USA Retail Price: $3300
Available Now!
For more information about this Nauticam housing please visit the websites by clicking on the links below:
Blogs
Diver Discovering Whale Skeletons Beneath Ice Judged World’s Best Underwater Photograph
An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.
“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”
Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”
Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”
“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”
In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”
More winning images can be found at www.underwaterphotographeroftheyear.com.
About Underwater Photographer of the Year
Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.
Header image: Underwater Photographer of the Year 2024 winner Alex Dawson
News
World’s Best Underwater Photographers Unveil Breathtaking Images at World Shootout 2023
The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.
Grand Prize Winners
- Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
- Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
- Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 € cash prize award.
Celebrating Diversity and Innovation
This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.
Looking Ahead: AI and Ocean Conservation
World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.
This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.
Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.
Explore the Stunning Collection
Discover the complete album of competition entries by clicking here.
For Low-resolution photos of finalist entries in eight categories, click here.
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