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Marine Life & Conservation

Exhibition: Above, below and beyond by freediving photographic artist Janeanne Gilchrist

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Janeanne Gilchrist is a photographic artist and image-maker. She was born and brought up in Edinburgh and graduated from Napier University in 1996 with a BA (Honours) in photography and film.

The sea and the self: these are territories Janeanne Gilchrist explores and merges seductively in this exhibition of intricately composed and infinitely ambiguous sub-aquatic images.

She forages for objects in the depths – a tangle of fishing net, a singed seaman’s sou’wester, discarded fish gut, a decomposing plastic bag – the thoughtlessly discarded cast-offs of fishermen and of man. She searches out subjects – the spawning seaweed, the mesmerizing alien glow of a jellyfish, the stone washed bones of a migratory bird.

Structuralism

The work is made to provoke, and it will be criticized for turning rubbish into art however what it aims to do is raise the debate further about the state of all our waterways across our land and beyond.

Having dived around Scotland for the past 10 years she is trying to share an experience of what she has found and how to communicate this in a more powerful way. Receiving the J.D Ferguson Art Award has given her the opportunity to explore and create this body of work to highlight environmental issues.

A big problem is that by the time this waste is washing up on the shore, the damage is already done and we are only dealing with the fall out. As Janeanne says:

“What we’re doing — cleaning up our own mess — addresses just a symptom of the problem, not the problem itself”.

The work explores subconscious emotional memories and otherworldly fables and folklore. It also features found items that had a place, a function, a use, in one world, which are now abandoned, adrift and discarded, in another world in which they take on an ethereal distorted temporal beauty, dissolving and breaking down into the aquatic environment.

Anthropomorphism

The process of developing this work has come through observation and years of devoted water time, evolving study and exploration.

Janeanne has been lucky enough to find a partner, a soul mate, who was responsible for taking her on her first ever dive expedition to Egypt and diving Ras Mohammed. Those first few dives of breathing in air from a regulator underwater and trusting the heavy equipment kept her safe, and was her first step into another dimension to explore a remarkable water world.

Back home in Scotland, the need to wear dry suits and even more weight always made her feel awkward and anxious, checking dials and opening valves distracts from the whole experience and reason for being there. Her quest was to be in the moment, in the water, to lose herself. To focus on just herself and her surroundings. To meditate, breathe and become one.

So she learnt to freedive…

“To free dive is the most amazing sensation. Mastering your fear and hanging silently suspended in the blue/green of the sea, in gin- clear water, in glass-like conditions, is a spiritual experience.”

Janeanne combines her environmental underwater working practices to develop a new body of work based upon the intersection between scientific illustration, still life painting and technological advancements, experimenting with botanical imagery and the iconic visuals of fantasy to capturing organic and non-organic matter.

Janeanne seeks to discover moments, textures and stories. She fragments, manipulates and then reinvents the image into a new entity which resembles the original, but is, in fact, entirely contemporary. She rebuilds these new pieces of work, swaying between reality and surrealism in a moving composition.

“This work can’t be reproduced. It is completely unique. Capturing these moments while free diving in challenging conditions in the waters around Scotland isn’t easy. The current is playing with them and with me, the entire time – I am trying to capture something that’s never going to be in the same location, same light, same position, ever again.”

Janeanne goes on to say:

“Unlike surfing or any other action sport, free diving is not all about swimming fast or expelling a lot of energy. It’s more to do with clearing your mind, finding your internal flow state, completely relaxing, calming yourself, focusing on your breath and enjoying the trip… and anyone can do it.

Humans are one of the few species that share the mammalian dive reflex, same as seals, dolphins and whales. We (everyone) has the natural ability to hold your breath for two minutes. It’s very easy to learn, but to push over the two minute mark, that’s where the discipline and training comes into its own. Swimming regularly practicing your technique, a good clean diet and yoga helps.

Best of all, we have found that the Free diving has helped in other parts of our life especially with surfing or as a coping mechanism for dealing with stressful situations in general. It teaches you to always take a deep slow breath, step back and relax the heart rate. I would encourage everyone to do a free diving course after a few short training days to give you the tools and techniques to practice safely. It’s the best way to unlock your potential in a safe environment. I did my course with Steve Millard of www.learn2freedive.com.”

When Janeanne is not on her aquatic journeys, She works in partnership with her partner Will Beeslaar running Staunch Industries Design, a small independent design studio and lifestyle brand based in Leith, Edinburgh.

Above, below and beyond by Janeanne Gilchrist is at the J D Fergusson Gallery in Perth, Scotland from 18 November to 24 March 2018.


Catalogue photographs – Janeanne Gilchrist

Artist portrait photograph – Will Beeslaar

Creative Image Retouching – Will Beeslaar

All images are copyright with the artist www.janeannegilchristartist.com

Follow Janeanne’s work at:

Steve Millard is a leading UK based AIDA and PADI Freediving Instructor Trainer who is the owner of Apneists UK freediving group - www.freedivers.co.uk. Currently Press officer to the British Freediving Association and Performance mermaids lead coach.

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The Ocean Cleanup Breaks 10,000,000 KG Barrier

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ocean cleanup

The Ocean Cleanup, the global non-profit project, has removed a verified all-time total of ten million kilograms (22 million lbs.) of trash from oceans and rivers around the world – approximately the same weight as the Eiffel Tower.

To complete its mission of ridding the oceans of plastic, The Ocean Cleanup uses a dual strategy: cleaning up the Great Pacific Garbage Patch (GPGP) to remove the plastic already afloat in the oceans, while stopping the flow of plastic from the world’s most polluting rivers.

Through cleaning operations in the GPGP and in rivers in eight countries, the cumulative total of trash removed has now surpassed ten million kilograms. This milestone demonstrates the acceleration of The Ocean Cleanup’s impact, while underlining the astonishing scale of the plastic pollution problem and the need for continued support and action.

While encouraging for the mission, this milestone is only a staging point: millions more tons of plastic still pollute our oceans and The Ocean Cleanup intends to continue learning, improving and innovating to solve this global catastrophe.

This announcement comes as governments from around the world meet to continue negotiations to develop a new legally binding instrument to end plastic pollution at INC4 in Ottawa, Canada. Representatives of The Ocean Cleanup will be in attendance and the organization will be urging decision-makers to collaborate towards a comprehensive and ambitious global treaty which addresses plastic at all stages of its life cycle and in all marine environments worldwide, including in areas beyond national jurisdiction.

It is encouraging to see that the need for remediation is reflected in the various options for potential treaty provisions. It is essential that the final treaty contains clear targets for the remediation of legacy plastic pollution, and reduction of riverine plastic emissions.

Tackling plastic pollution requires innovative and impactful solutions. The treaty should therefore incentivize the innovation ecosystem by fostering innovations that make maximal use of data, technology and scientific knowledge – such as those designed and deployed by The Ocean Cleanup.

‘After many tough years of trial and error, it’s amazing to see our work is starting to pay off – and I am proud of the team who has brought us to this point.’ said Boyan Slat, Founder and CEO of The Ocean Cleanup. ‘While we still have a long way to go, our recent successes fill us with renewed confidence that the oceans can be cleaned.’

The Ocean Cleanup was founded in 2013 and captured its first plastic in 2019, with the first confirmed catch in the GPGP coming soon after the deployment of Interceptor 001 in Jakarta, Indonesia. After surpassing one million kilograms of trash removed in early 2022, the non-profit project has since progressed to the third iteration of its GPGP cleaning solution, known as System 03, and a network of Interceptors currently covering rivers in eight countries, with more deployments set for 2024.

About The Ocean Cleanup

The Ocean Cleanup is an international non-profit organization that develops and scales technologies to rid the world’s oceans of plastic. They aim to achieve this goal through a dual strategy: stemming the inflow via rivers and cleaning up the legacy plastic that has already accumulated in the ocean. For the latter, The Ocean Cleanup develops large-scale systems to efficiently concentrate the plastic for periodic removal. This plastic is tracked and traced through DNV’s chain of custody model to certify claims of origin when recycling it into new products. To curb the tide via rivers, The Ocean Cleanup has developed Interceptor™ solutions to halt and extract riverine plastic before it reaches the ocean. Founded in 2013 by Boyan Slat, The Ocean Cleanup now employs a broadly multi-disciplined team of approximately 140. The foundation is headquartered in Rotterdam, the Netherlands.

For more information, visit: theoceancleanup.com and follow @theoceancleanup on social media.

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Marine Life & Conservation

Steve Backshall to headline Shark Trust’s flagship event: For the Love of Sharks

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Join a host of amazing, shark loving, speakers including Steve Backshall and the Shark Trust team for an evening celebrating shark conservation at the Royal Geographical Society in London this November.

Date: 29th November 2024

Time: 6-10pm

Location: Royal Geographical Society, London

Tickets: https://www.sharktrust.org/Event/flos24

The event will be a celebration of all things shark. Those lucky enough to get hold of tickets will hear from engaging guest speakers with a passion for sharks.

The line-up includes (*subject to change if unforeseen circumstances arise)

Steve Backshall: One of television’s busiest presenters, BAFTA award-winning wildlife expert Steve has been passionate about the wild world ever since he was young. 

Steve’s impressive TV career has taken him all around the world, investigating a wide array of species and environments. Steve has filmed over 100 hours of children’s wildlife programmes with the BAFTA award winning Deadly 60 franchise and recently, with Sky Nature, for his new series ‘Whale with Steve Backshall’. He has been a patron for the Shark Trust for 10 years.

Simon Rogerson: is a photojournalist specialising in natural history, diving and the sea.

He is editor of SCUBA magazine, the official journal of the British Sub-Aqua Club. Simon started his career as a crime reporter but gravitated towards his ‘less depressing’ interest in underwater exploration, joining the staff of DIVE magazine in 1999. In 2005 he was named ‘Editor of the Year’ in the PPA’s Independent Publishing Awards. Simon also works as a freelance writer, contributing frequently to the Sunday Times and Telegraph, in addition to BBC Wildlife, Esquire, and a host of international diving magazines. He is the author of a book, Dive Red Sea, published by Ultimate Sports. Now based in Berkshire, Simon has been a Patron of the Shark Trust for 20 years.

More speakers to be announced soon. Head to the Shark Trust website to learn more.

The evening will also allow guests the final chance to see the Oceanic 31, shark art exhibition. Some of the artwork will be auctioned/raffled at the event, while the rest will be auctioned online to raise money for the Shark Trust Oceanic Programme.

For the Love of Sharks is an evening with something for everyone who is interested and fascinated by sharks. Join the Shark Trust, their Patrons, Trustees and Staff, along with a host of supporters for this celebration of shark conservation.

For more information or to buy a ticket: https://www.sharktrust.org/Event/flos24

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