Photo / Video News & Reviews
Where’s Ellen? Part One… (Watch Video)
In the first in an exclusive new series of blogs, renowned underwater and wildlife photographer Ellen Cuylaerts, takes Scubaverse visitors on her latest travel adventures…
After talking at Asia Dive Expo (ADEX) in Singapore 4 years ago, it was about time I would return for another visit and contribute to the special 25th anniversary ADEX celebrations with a talk, some panel discussions, live judging of the Voice of the Oceans Photo Competition and, imagine that at 49, participating in a fashion show wearing hand-painted designs by the talented Anne K. Adijuwono representing 25 endangered species.
This year’s ADEX is dedicated to plastic-free oceans and that’s something I’m very passionate about!
But I’m also passionate about reducing my already awful carbon footprint flying around, hence I try to minimize flying back and forth home unnecessarily and maximize ‘layover’ time looking for things I would otherwise not experience.
Singapore as my destination triggered an article I recently read about two otter families living in the Marine Bay. A true wildlife soap drama took place where the Bishan 10 family chased the Marine family, even resulting in the death of a pup. That’s the course of nature, but otters are known to be very elusive and are also known to only thrive close to clean waterways… and this species, smooth-coated otters, were on the critically endangered list in Singapore but they were also spotted on a regular basis.
The perfect reason for me to include three days of urban wildlife exploration in my trip!
Through Facebook I got in touch with the group Ottercity and they sent me a map of the huge territory the otters lived in and the time of day to best go out and explore.
On Day One, my jetlag and a late arrival only got me outside at noon, 33 degrees Celsius, hot and humid, but I walked the area for scouting. I did not carry my heavy lens and, to my surprise, I could hardly believe it, I spotted three otters in the river, munching on a freshly-caught fish. Pure joy to witness! Their human-like behavior in using their tiny webbed hands and standing tall on their wide tail, brought an instant smile on my face.
I took a few shots but mostly observed them and followed them around, which is hard because once they swim, they’re very fast.
The next day I did two rounds, morning and evening, 15 miles in total, but no otters spotted.
On my last day before ADEX would start, I decided to leave a bit later, my gut feeling told me the overcast weather and rain would also have an effect on the otters. At my return point, no otters sighted, I deviated and stopped at a Lily pond in the Gardens by the Bay to take a picture for my Mom’s birthday. I thought the frogs must be huge because they stirred up quite a bit, except… they were not frogs but… my beloved otter family. They hung out a while, playing hide and seek with each other. It was hard to take images, and suddenly they were gone.
The scouting of the previous two days came in handy and I anticipated on their next move running and sweating from point A to B to C where I found all 15 of them sleeping in the sand. I spent a whole two hours watching them sleep and taking images, sweaty, on my hand and knees in the sand (go low, go slow, go close), already out of water supply since I found them at the Lily pond, but nothing could make me leave them.
And then they woke up and off they went again, and off I went again too! Another hour of swimming action, running, eating and making funny sounds communicating with each ‘otter’. And as soon as I spotted them… they were gone, leaving me exhausted, sunburned but extremely grateful I took these days and went on a mission! Otterly pleased I should say!
This whole experience feels especially poignant with ADEX dedicated to plastic-free oceans and the otters a symbol of Singapore’s greening policy creating a healthier river system. I’m so very happy to have found the otters here…
Find out more about Ellen and her photographic adventures at www.ellencuylaerts.com.
An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.
“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”
Photo: Rafael
Fernandez Caballero
Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”
Photo: Rafael
Fernandez Caballero
Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”
“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”
Photo: Jenny Stock
In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”
Photo: Nuno Sá
More winning images can be found at www.underwaterphotographeroftheyear.com.
About Underwater Photographer of the Year
Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.
Header image: Underwater Photographer of the Year 2024 winner Alex Dawson
The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.
Grand Prize Winners
- Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
- Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
- Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 € cash prize award.
Celebrating Diversity and Innovation
This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.
Looking Ahead: AI and Ocean Conservation
World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.
This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.
Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.
Explore the Stunning Collection
Discover the complete album of competition entries by clicking here.
For Low-resolution photos of finalist entries in eight categories, click here.
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