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Stunning images awarded in DEEP Indonesia 2019 Underwater Photo Contest

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Underwater photographers from around the globe submitted their amazing images to the 2019 DEEP Indonesia contest. The expert judging panel had a really tough time selecting their shortlists and ultimately, the winners. Organizers Wetpixel and DivePhotoGuide would like to offer huge congratulations to Grant Thomas for his very beautiful over-under image from Papua New Guinea that was the overall winner, and to all of those with images among the placings.

“All the submitted pictures were stunning, but those placed in each category are simply amazing. Please pour a glass of your favorite beverage, turn up some soulful music and enjoy the full collection. They represent some of the finest images that have been produced by underwater photographers over the past few years.”

The judges have also kindly added comments about the winning images for each category. For those planning to enter competitions, these notes are essential reading!

Overall winner and winner Over-Under category

“Papuan Sunset” by Grant Thomas

Judges’ Comments:

Aaron Wong: I like this shot because it shows the photographer not only had a good idea of what he wanted to shoot but also had a good understanding and control of light.

Adam Hanlon: Beautifully composed elements that combine to emphasize the beauty of the scene, both above and under the water. A shining example of how an over and under should be done.

Andrew Marriot: Over under, evenly lit, great composition, and all in focus. I’d put this on my wall.

Burt Jones and Maurine Shimlock: This image blew us away when we first saw it in the over/under category. We know how difficult it is to get so many factors aligned to create such an image. Environmental conditions with no wind and flat water, a cooperative secondary element (the canoe), the sunset, the foreground lighting and the placement of the camera all had to come together to create this image. This image is constructed to lead the viewer’s eye through the photograph’s near, middle and far elements. It speaks to us on a deep emotional level. This image was not taken it was created!

Christian Vizl: Flawless use of half and half technique combined with a very artistic eye that chose the right angle from the right place at the precise right moment. Everything comes together in a beautiful way that leaves you with such a warmth feeling.

Winner Animal Portrait category

“Fly High” by Nicholas Samaras

Judges’ Comments:

Aaron Wong: This is a rather interesting perspective of a ray that is not often seen. It also manages to capture the amazing colors of the moment.

Adam Hanlon: Part sea creature, part film set alien creature. The ray’s other worldliness is exaggerated by the bizarre color palette. A unique image, very cleverly captured.

Andrew Marriot: Hands down one of the most original portraits I’ve ever seen. Love it!

Burt Jones and Maurine Shimlock: Having a ray swim overhead is not something that happens every day (well maybe in Grand Cayman), so this factor alone makes the image interesting. The ray’s color palette with it’s expressive “facial” gesture and the sunburst make this photograph special. Lighting, framing, motion are all captured here in this stunning image.

Christian Vizl: it´s such a unique shot, the combination of colors of the ray and the water and sky are incredibly beautiful. The technique is impeccable with an outstanding exposure of the sky and the use of flash for the belly and the mouth.

Winner Animal Behaviour category

New Life” by Jinggong Zhang

Judges’ Comments:

Aaron Wong: While the lighting itself isn’t the best, just waiting for the moment itself is the prize of this shot.

Adam Hanlon: The epitome of a behavior shot! Perhaps not technically perfect but an amazing moment, perfectly timed at the peak of the action.

Andrew Marriot: The best “moment” picture I’ve seen, maybe ever.

Burt Jones and Maurine Shimlock: We’ve observed and photographed many seahorses throughout our career but we have never been fortunate to witness birthing. Of course this event could have “happened” just as the photographer arrived but that is doubtful. We know how valuable patience is in an image maker’s workflow. Oft times multiple dives, with 99% of the time spent waiting patiently but prepared, is usually required to capture behavior in nature. We also appreciated the fact that this image is created with the main subject off-center, which allows space for the young seahorses to move into and through the photograph’s frame.

Christian Vizl: The timing is so perfect and combined with a great lightning technique, creates a memorable shot of one of life´s most tender moments!

Winner Divers category

The Underwater Photographer” by Henley Spiers

Judges’ Comments:

Aaron Wong: I always say that ‘less is more’ and ‘simplicity is a complicated process’, especially in underwater photography. So I love this shot for it’s sheer simplicity.

Adam Hanlon: The combination of very strong graphic elements (fish, fins, diver’s pose) and the simplicity of the high key mono processing create a striking dynamic and memorable image.

Andrew Marriot: One of the all time great diver shots ever. Hard to make B&W work underwater, and this one rocks it!

Burt Jones and Maurine Shimlock: This image is very graphic, which is accentuated by presenting the image in b&w. The diver’s fin position adds to the drama.

Christian Vizl: Pure creativity! I just love the high contrast black and white that combined with an artistic eye and a strong sense of composition and balance creates a surreal image of an activity we all love so much!

Winner Reefscapes category

“Burst” by Tyler Schiffman

Judges’ Comments:

Aaron Wong: A big part of photography to me is the art of telling a story. This sea lion within it’s kelp forest home with beautiful sun rays does exactly that.

Adam Hanlon: Using the kelp to frame the sea lion and the sunburst creates an intimacy that makes the viewer feel they are observing via a window rather than an image. A simple scene, beautifully and thoughtfully captured.

Andrew Marriot: Great shot, showing that you don’t always need a tropical coral reef to make an amazing image.

Burt Jones and Maurine Shimlock: This photograph is beautifully constructed, without the kelp framing the sea lion; we would not be commenting about this image. The sunburst adds a sensational element and the lone sea lion is perfectly situated within the canvas of the image. Well done!

Christian Vizl: A classic and timeless combination of two highly photogenic subjects; kelp and sea lion. Beautiful composition that creates an open door, a first class seat for us to submerge in one of natures most beautiful scenes as the sun penetrates the ocean through the kelp, revealing the silhouette of the sea lion.

Winner Compact Camera category

“Sad Sad Goby” by Ipah Uid

Judges’ Comments:

Aaron Wong: These gobys are a rather shy bunch. So to capture one with such shallow depth of field with the clever use of colored lights is a really good effort.

Adam Hanlon: Using colored lighting to create a vibrant frame for the goby puts “new life” into a common subject. A very well made creative decision.

Andrew Marriot: Amazing sharpness and creativity. Great take on a traditional subject.

Christian Vizl: Gobys are so interesting and beautiful subjects by themselves, but when combined with another interesting element, the explosion of color is irresistible.

To see more please visit the website by clicking here.

Nick and Caroline (Frogfish Photography) are a married couple of conservation driven underwater photo-journalists and authors. Both have honours degrees from Manchester University, in Environmental Biology and Biology respectively, with Nick being a Fellow of the Royal Photographic Society, a former high school science teacher with a DipEd in Teaching Studies. Caroline has an MSc in Animal Behaviour specializing in Caribbean Ecology. They are multiple award-winning photographers and along with 4 published books, feature regularly in the diving, wildlife and international press They are the Underwater Photography and Deputy Editors at Scubaverse and Dive Travel Adventures. Winners of the Caribbean Tourism Organization Photo-journalist of the Year for a feature on Shark Diving in The Bahamas, and they have been placed in every year they have entered. Nick and Caroline regularly use their free time to visit schools, both in the UK and on their travels, to discuss the important issues of marine conservation, sharks and plastic pollution. They are ambassadors for Sharks4Kids and founders of SeaStraw. They are Dive Ambassadors for The Islands of The Bahamas and are supported by Mares, Paralenz, Nauticam and Olympus. To find out more visit www.frogfishphotography.com

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Diver Discovering Whale Skeletons Beneath Ice Judged World’s Best Underwater Photograph

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UPY

An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.

“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”

UPY

Photo: Rafael
Fernandez Caballero

Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”

UPY

Photo: Rafael
Fernandez Caballero

Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”

“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”

Photo: Jenny Stock

In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”

UPY

Photo: Nuno Sá

More winning images can be found at www.underwaterphotographeroftheyear.com.

About Underwater Photographer of the Year

Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.

Header image: Underwater Photographer of the Year 2024 winner Alex Dawson

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World’s Best Underwater Photographers Unveil Breathtaking Images at World Shootout 2023

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The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.

Grand Prize Winners

  • Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
  • Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
  • Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 cash prize award.

Celebrating Diversity and Innovation

This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.

Looking Ahead: AI and Ocean Conservation

World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.

This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.

Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.

Explore the Stunning Collection

Discover the complete album of competition entries by clicking here.

For Low-resolution photos of finalist entries in eight categories, click here.

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