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Scubaverse Underwater Photographer Interview: Steve Jones



In an ongoing series,’s Underwater Photography Editors Nick and Caroline Robertson-Brown talk to underwater photographers from around the world that they admire.

This interview is with Steve Jones.

My professional diving career began in the early 1990’s when, immediately after university, I decided to take one year out to travel and work as a diving instructor. Seven years later, having lived and dived in Egypt, Malta, the Maldives and the Caribbean, I returned to live in the UK, somewhat reluctantly. By that time my imagery and articles were starting to appear in diving magazines, and since have gone on to be published in over 30 countries. Through photojournalism I’m very lucky to have been given the opportunity to visit places that I once only dreamed of and I’ve had to develop into an all-rounder as a photographer, equally happy writing about maritime history and photographing wrecks as I am when shooting equatorial seascapes awash with colour, or critters crawling through volcanic mud. This has led to quite a diverse portfolio and combined with my more specialist deep wreck photography led to me becoming a Blancpain Edition Fifty Fathoms photographer in 2015, one of four photographers invited annually to contribute to the fine art books produced by this high-end watchmaker. My website is at

N/C: How did your underwater photography start?

SJ: I’ve had a fascination with both the natural world and photography since I was a child. I then learned to dive at the age of 14 but I couldn’t afford an underwater camera until I was working in the Red Sea as a diving Instructor back in 1992. I bought a second hand Nikonos III, and soon found myself assisting visiting professional photographers from whom I learned an enormous amount. It was in 1996 whilst working as an instructor/guide in the Maldives that I got my first break when German magazine Unterwasser published my images. I still regularly contribute to this excellent publication, over 20 years later

N/C: What is your favourite u/w camera equipment (past & present) & why?

SJ: I’ve used SEACAM housings since 1995 and they have never let me down. My favourite piece of kit is a SEACAM converted Nikon RS-UW 13mm fisheye lens. This was one of the original lenses designed for use on the Nikonos RS SLR, and is optimised for underwater use.  SEACAM have adapted it for use on modern housed cameras. Its compactness and superb optical quality is particularly useful when technical diving on deep wrecks, where I often shoot at wide apertures due to low light conditions.

N/C: What would be your advice to anyone new to underwater photography?


  • Master your diving skills: have buoyancy control that is second to none.
  • Build your technical knowledge, particularly your understanding of lighting and the influence of Aperture, Shutter Speed and ISO settings on underwater images, when used with/without strobes. Learn how to balance natural and strobe light as this is very important. Learn about editing and post processing with tools such as Lightroom.
  • Study: Read books cover to cover, such as Martin Edge’s “The Underwater Photographer” and keep the kindle versions on hand to refer to whilst you’re on a trip.
  • Observe: Immerse yourself in the photography of others and try and understand how the shot was taken and why it works (or not!)
  • Practice constantly even on mundane subjects and also above water at every opportunity.
  • Be creative and be different. Once you have mastered the basics, allow your own creative style to develop and flourish through your imagery to make it unique. Study composition techniques – there are many articles and books available written by topside and underwater photographers.
  • Respect the environment and the oceans’ inhabitants, no matter how small they may be. Photography is a means to communicate the beauty and value of our marine world to those not fortunate enough to see it and as ambassadors for the ocean, our own code of conduct needs to be exemplary.

A Coconut Octopus (Amphioctopus marginatus), a species that gathers coconut and mollusc shells for shelter, Lembeh Strait, Sulawesi, Indonesia

N/C: What, or who, has been your single biggest inspiration for your underwater photography?

SJ: My biggest inspiration is my fascination with the marine world and the exploration of it. I try and create images that take the viewers imagination to the place where I took the image, to generate some of the excitement that I felt when I was there. As for photographers who’ve inspired me, David Doubilet had been my inspiration from the start, and I also admire the work of many other photographers: The ones pushing creative boundaries to capture familiar subjects in new ways and the ones pushing physical boundaries, operating in environments where previously un-photographed subjects are found. There are too many to mention here.

The armoured barbette that housed one of the 5 main gun turrets of HMS Audacious, the first
British battleship to be sunk in WW1

N/C: What image are you most proud of and why?

SJ: It’s actually an image set rather than one image, and that would be of the deep wrecks lying off Malin Head in Ireland. I’d been practicing my techniques for shooting with natural light in deep water for several years, as I like to show the wrecks in their true scale. These wrecks mainly lie between 60 and 70 metres and we only had one dive on each of the most iconic ones. With great team work from my regular dive partner Steve Henshall, we got a set that I was immensely proud of, and it directly led to me being selected as one of the Blancpain Edition Fifty Fathoms photographers.

N/C: Where is your favourite dive location, and is it for the photography?

SJ: I’ve just returned from Cocos and it blew my mind. The diving is simply the best I’ve ever done and I want to go back. For sheer diversity, I love Indonesia and Papua New Guinea. My bucket list is still quite long though…..

Leopard seal, mouthing its own reflection in the camera port (Hydrurga leptonyx), Astrolabe Island, Antarctica

N/C: What are you views on marine life manipulation, moving subjects?

SJ: Moving and harassing animals sets a disturbing precedent and I firmly believe it goes against the code of conduct that nature photographers should abide by: The animal’s welfare must always come first.  However, we need to also keep things in perspective and hold an awareness of all things that impact the marine environment: unsustainable fishing and plastic waste being two of the major ones. At the end of the day it’s all about the ethics you abide by as a marine photographer.

N/C: What do you look for when you are making your images?

SJ: Most of my imagery is captured when on direct assignments for magazines. So first I have to get the “safety” shots in the bag – this is the basic set of publishable quality images that will allow a story to be illustrated and I don’t relax until I have a reasonably good set. Once that objective is met, I let my creativity off the leash and take higher risk shots using less conventional, often experimental techniques and equipment. Overall, I try and capture images that support the subject matter of my story as it makes my writing task much easier if my images are already speaking the words.

A diver has a very close encounter with a giant oceanic manta ray (Manta birostris), Dampier Strait, Raja Ampat, West Papua, Indonesia

N/C: What motivates you to take u/w photos?

SJ: It’s a creative outlet, a representation of my fascination with wildlife and exploration of the marine world. With wrecks, it is also capturing history: A unique moment in time. At some point in the future, our images will be all that remains of many of the wrecks we now dive. I sincerely hope that the same will not apply to the wonderful marine life we encounter, but it will unless we change our short-term exploitation of this planets limited resources and start thinking more in terms of leaving a home that’s fit for our children to inhabit.

N/C: If you could photograph any one thing/place what or where would that be?

SJ: That would be the Great Whales, a lifelong dream as yet unfulfilled! (They are on my bucket list!)

The wreck of the Um El Faroud, Malta.

Nick and Caroline (Frogfish Photography) are a married couple of conservation driven underwater photo-journalists and authors. Both have honours degrees from Manchester University, in Environmental Biology and Biology respectively, with Nick being a Fellow of the Royal Photographic Society, a former high school science teacher with a DipEd in Teaching Studies. Caroline has an MSc in Animal Behaviour specializing in Caribbean Ecology. They are multiple award-winning photographers and along with 4 published books, feature regularly in the diving, wildlife and international press They are the Underwater Photography and Deputy Editors at Scubaverse and Dive Travel Adventures. Winners of the Caribbean Tourism Organization Photo-journalist of the Year for a feature on Shark Diving in The Bahamas, and they have been placed in every year they have entered. Nick and Caroline regularly use their free time to visit schools, both in the UK and on their travels, to discuss the important issues of marine conservation, sharks and plastic pollution. They are ambassadors for Sharks4Kids and founders of SeaStraw. They are supported by Mares, Paralenz, Nauticam and Olympus. To find out more visit


WIN one of the NEW Momentum M20 Dive Watches!!!



For this week’s competition, we’ve teamed up with our good friends at Nautilus Diving to give away one of Momentum’s new M20 Dive Watches as a prize!

Leading watch brand Momentum has introduced the new M20 series of watches. The new collection includes the M20 DSS Diver with a classic black dial, or striking Bahama yellow dial, and the M20 GMT Diver in a black & blue “Batman” version.

The M20 Dive watch features a solid 316L stainless steel case that is beautifully rounded and polished, taking its design cues from our original 1990’s Aquamatic model. The case is just under 42mm in diameter, but the smooth curves make it feel much smaller. Style, performance and unmatched comfort on the wrist.

The M20’s elegant yet durable design allows it to be worn in almost any situation. It has a 200M depth rating along with an off-set screw-down crown for added comfort.

The M20’s are also very legible, with its double-dome sapphire crystal with anti-reflective coating there is virtually no glare. At night, the SuperLuminova luminous dial and hands come to life, a vital feature for serious divers where light may not reach certain depths.

To be in with a chance of winning this awesome prize, all you have to do is answer the following question:

In a recent post on (which you can find here), we reported that the Women Divers Hall of Fame have announced the selection of how many new members who will constitute the Class of 2021?

Is it:

  • A) five
  • B) six
  • C) seven

Answer, A, B or C to the question above:

Nautilus Diving Momentum M20 Dive Watch October 2020

  • Enter the country you live in
  • Terms and Conditions: This competition is open to all visitors to except for members of the Scubaverse team and their families, or employees of Nautilus Diving and their families. A valid answer to the competition’s question must be entered. If no valid answer to the competition’s question is entered, your entry will be invalid. Only one competition entry per entrant permitted (multiple entries will lead to disqualification). Only one prize per winner. All prizes are non-transferable, and no cash alternative will be offered. In the event that the prize cannot be supplied, no liability will be attached to When prizes are supplied by third parties, is acting as their agents and as such we exclude all liability for loss or damage you may suffer as a result of this competition. Your information will be shared with the competition's sponsor unless you tick the opt out box. This competition closes on 09/12/20. The winner will be notified by email. The Editor-in-Chief’s decision is final.

  • The following fields are optional, however if you fill them in it will help us to determine what prizes to source in the future.

  • Date Format: MM slash DD slash YYYY
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Dive Training Blogs

5 Easy Steps For Choosing A Scuba Diving Center You’ll LOVE! (Watch Video)



How do you pick which dive operation wins your money for your scuba diving vacation? If you only get to dive on vacation, you want to make sure you’re getting your money’s worth and getting experiences you enjoy. That’s why we are giving you our easy 5-step process for filtering out dive centers and narrowing down your selection to find the scuba team you want to be diving with!

In this example–driven video, we are showing you our procedure for how we pick our scuba dive operator. In this case, I use the island of Barbados, as I’ve actually never been scuba diving there.

THANK YOU so much to EVERYONE who is a part of this great community. We promise we have so much more planned for this channel. We’re going to keep spreading information and positivity to the Scuba Divers around the world! IMPROVE. INSPIRE. EXPLORE.

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Spend 7 nights at the Cinco Plazas Apartments, Lanzarote with flights and 5 days diving from just £625pp with Diverse Travel this winter.  Travel 12th November - Spaces are limited - contact us now to book. Other dates available.

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