In an ongoing series, Scubaverse’s Underwater Photography Editor Nick Robertson-Brown talks to underwater photographers from around the world that he admires. In this blog: Robert Bailey.
I grew up in the era of Jacque Cousteau. Those documentaries were ground breaking, they were adventurous, and they were unlocking the mysteries of the sea. Those explorations still fuel my inspiration today. In Costa Rica, in the late 80s, I hired a mask and snorkel, floundered into the sea, and didn’t come out for 3 hours. I was completely hooked. That feeling is still with me nearly 30 years on. I got certified as a diver after that trip, and decided I wanted to teach. I trained to become an instructor in the US. I worked at the University of Calgary for 6 years training up to instructor level, staffed three full-time Instructor Training Courses over the years, and taught both dive rescue and Ice diving as specialities.
Being a dual citizen made the move from Canada to Europe in the late 90s an easy one, and after six years in the Netherlands I moved to the UK and have been based in the Midlands since 2005. I joined BSOUP at that time, and BUPG a little later. Entering competitions and being surrounded by accomplished photographers established the benchmark for what makes a winning image. As a result of competing my images have been published in the London Times, Sunday Times Magazine, Outdoor Photographer, Dive, Scuba, and other publications. Winning sponsorship to compete for the UK in the Epson Red Sea competition in 2009, and placing in that prestigious event was a great achievement for me. I’ve accumulated a lot of other awards in UK club competitions and other events over the years. Although I’ve travelled frequently to warmer climes, I’m drawn to colder environments. I spend the majority of my time these days diving in the UK, and Canada as these locations are less photographed and less crowded than other areas. My website is www.RobertBaileyPhotography.com , established in 2007.
NRB: How did your underwater photography start?
RB: I’ve been interested in photography since an early age. Already being a topside shooter, using a camera underwater was a natural progression for me. My underwater photography started in the early 90’s as a way of augmenting scuba training materials for the program at the University of Calgary. After a while I found my interest in UW photography overtook my desire to teach. No longer content being a diver with a camera, I evolved into an underwater photographer obsessed with getting better pictures.
NRB: What is your favourite u/w camera equipment (past & present) & why?
RB: Like most photographers I love kit. As Martin Edge once said, ‘It’s sexy’. In the film days I started out with a Nikonos V with a 35 mm lens, which is all I could afford at the time. I had varied results using that setup, but was bitten by the bug, and kept working at it every chance I got. Eventually I saved up enough to buy a 15mm lens, which was unparalleled for quality at the time. This was great to use, and I was able to make pictures I couldn’t have previously, especially close focus wide angle. After a few years I realized the limitations of working with a range finder camera underwater and set my sights on getting a housed system. I owned an Nikon F4 at time, so worked to get that into a housing with a Sport Finder (a lovely- and not cheap – optical view finder) I was able to get pictures more easily, especially of quick moving tiny fish, which proved a great challenge for me using the Nikonos.
My favourite camera out of them all is the one I use now, the Nikon D500. it’s nice to be able to take advantage of the latest digital technology. The autofocus system, in my experience, is better than anything I’ve used previously underwater. Having immediate feedback underwater is much easier than working with film. My work horse wide angle lens is the Tokina 10-17 mm fisheye, which is renowned for its close focus ability. I still use an old style Nikkor 60mm Macro lens which has excellent optics. I’ve used various brands of strobes over the years, but settled on Inon strobes which I’ve found to be hugely reliable, and easy to use. My Z240s are my go-to lights, and I use two S2000’s for off camera work. The Nauticam Super Macro Convertor (SMC) is a fantastic tool for unlocking the tiny marine life world not immediately apparent to the naked eye. When I dive with this, I feel like a kid looking at the underworld world through a microscope. I like kit that’s reliable, and built to last.
NRB: What would be your advice to anyone new to underwater photography?
RB: Revisit the fundamentals. Ensure your dive equipment is in order. Confirm you’re correctly weighted for conditions. Achieving neutral buoyancy in my opinion is key to good photography underwater, and more importantly preserving the underwater environment, and conditions for other photographers who may be around you. You’d be surprised how often this is overlooked. Get in the water as much as you can, and always dive with a camera. Creating opportunities underwater is more important than the equipment you don’t have. Fully exploit the equipment you do have. Join an underwater photography club, submit images to competitions, and solicit as much feedback as possible about what you can do to improve. There’s a lot of talent around these days, many photographers are generous with their knowledge and love to wax lyrical about their experiences. Join trips with other underwater photographers. These trips are often setup by clubs to maximize photographic opportunities. Read and research. There are a lot of good books around, and I highly recommend the latest books from Alex Mustard and Martin Edge. Read these cover to cover. The internet also contains a wealth of knowledge. Table top experimentation can be massively helpful in familiarizing you with your equipment. When your diving, set your equipment up on the surface for what your trying to achieve. Minimize adjustments underwater where possible. Having a plan and being deliberate has helped me over the years.
NRB: What, or who, has been your single biggest inspiration for your underwater photography?
RB: I think when I first got into it, I was hugely inspired by the work of David Doubilet. His underwater stories in National Geographic were only available though the post, so those articles were like gold when they arrived. Doubilet’s book Water Light Time is still a favourite of mine, and now a well worn tome. In more recent years Alex Mustard, Flip Nicklin, and Thomas Peschak are a few of the underwater photographers I really admire. There’s so much talent out there these days. Starting to place and win competitions certainly has fuelled my passion in the past, and trying to stay in the top set of local photographers keeps me coming back today.
NRB: What image are you most proud of and why?
RB: Without hesitation a picture I made of a whale shark whilst on a live aboard in Egypt. Quite early one morning in the Gulf of Suez on mirror calm seas the skipper killed the engine. From our cabin I could hear a lot of chatter on deck, and went up to see what was going on. To my amazement four whale sharks were going about their business. We jumped in the rib and did some snorkelling with these gentle giants. Amidst the excitement I got the cox to take me back to the boat, and I did the fastest lens change in history and jumped back in equipped with a wide angle lens. I managed to make a few pictures complete with surface reflections. Having only seen Basking Sharks in the UK for the first time the week before, I quite excited by the whole affair. I still look at these pictures and remind myself I was there.
NRB: Where is your favourite dive location, and is it for the photography?
RB: It’s hard to settle on just one place. I’ve been fortunate to travel a lot during my diving career. The diving and topside experience off northern Vancouver Island in Canada has been remarkable over the years, and tops my list. The marine life there is prolific and many of the subjects are less photographed than those in the tropics. Being surrounded underwater by dozens of Pacific white sided dolphins ranks high on my list of underwater experiences. There are no crowds to speak of, the topside wildlife is abundant. Over the last few years we’ve run trips where we’ve seen coastal wolves, California sea otters, bald eagles, coastal deer, black bears, humpback whales, and orcas to name a few. I think Queen Charlotte Strait and Slingsby Channel would rival any topside safari. It’s home for me, and a lot of my formative experiences as a diver and photographer took place there.
NRB: What are you views on marine life manipulation, moving subjects?
RB: I do my utmost to respect the creatures I photograph, and not interfere with any marine life. I leave subjects alone that are inaccessible with a camera. I think humanity needs to be more courteous to the other inhabitants we share our planet with. Jeopardizing life for the sake of a photograph is not acceptable practice to me.
NRB: What do you look for when you are making your images?
RB: Clean, uncluttered backgrounds. Colour. High Contrast. Anthropomorphism
RB: My love of nature, photography, diving, being outdoors, and the great friends and family I’ve shared my experiences with.
NRB: If you could photograph any one thing/place what or where would that be?
RB: A blue whale is my ultimate dream. and I’d like to photograph it in a remote area, maybe in a polar region. Having said that I’d settle on being in the water anywhere, with any whale. I’ve seen a lot whales on the surface, and have been close enough to Orcas to smell their breath. I’m in awe of whales, and would love the experience of being close to them underwater.
Find out more about Robert Bailey by clicking here.
Gear Review: Mares EOS LRZ Torch Range
What does LRZ stand for I hear you ask? The answer is: LED lights, Rechargeable, Zoomable. Mares have created a versatile set of seven underwater lights in the new range to suit all needs and budgets.
I tested the most powerful of them – the EOS 32LRZ at Capernwray on a cold but bright spring day. I was diving with Alex Mustard, and so all the underwater images are by him, showing me trying out the torch in both the shallows and in some of the wrecks at this site.
All the torches in the new line have an LED visual battery charge indicator that allows you to keep the battery level under control.
Want to use it out of the water? No problem! The new EOS LRZ torches feature an innovative temperature control system that allows you to use them both underwater and on land. I can see myself using this on gloomy dog walks later in the year!
As you can see from the video I filmed just after getting back from a dive, the torch is easy to use, even with thick gloves in cold water. The zoomable light beam means that you can highlight a particular spot, or have a wide beam, which is great for both modeling for a photographer, and exploring different underwater environments.
The EOS 32LRZ has a powerful beam with 3200 lumens of power and 135 minutes of burn time. Perfect for some of the darker dives you can experience in the UK, but also for exploring overhead or enclosed environments. I easily got 2 long dives out of a single charge, and then was able to recharge it in my car using a USB cable on the way home, ready for the next day of diving.
The look and feel of these torches are great. In your hand you can feel the quality of the torches. They are solid and well built. They also look great. Each torch in the range comes with a padded case to keep them safe during transport.
For more, visit the Mares website by clicking here.
All underwater images by Alex Mustard
Reef-World launches Green Fins Japan!
The Reef-World Foundation, the Onna Village Diving Association, the local government, and Oceana are delighted to announce that Japan is now the 14th country globally to implement the Green Fins initiative – a UN Environment Programme initiative. Onna Village in Okinawa is the first Japanese tourist destination to adopt Green Fins environmental standards to reduce the threats associated with diving and snorkelling on the marine environment.
Green Fins is piloted in Onna Village, Okinawa prefecture, an area renowned for its marine sports and has been working to protect its reefs for many years. Green Fins is implemented as part of the national Sustainable Development Goals project, which aims to manage and illustrate to the local industry how sustainable tourism can play a role in reef conservation. The economic benefits of the reefs benefit not only the fisheries industry but also the tourism industry as it has rocketed in recent decades.
If the project is successful – proving the value of sustainable tourism – the model has the potential to be escalated to a national level. A wide rollout would allow Reef-World to focus on uptake and expansion into other marine tourism and biodiversity hotspots across Japan. Green Fins implementation in Japan would provide practical solutions to many of the common problems faced in the area. It would also help to promote high standards for diving in the country. Improving the quality of the diving industry through Green Fins would demonstrate the added value of Onna Village’s tourism product. This, in turn, will encourage tourists to spend more time and money diving in the region.
Following a week of training by Reef-World (23 to 28 May 2022), Japan now has a national Green Fins team comprised of four fully certified Green Fins Assessors and two Green Fins Coordinators from Oceana and the local government. They will be responsible for recruiting, assessing, training and certifying dive and snorkel operators to become Green Fins members in the country. This involves providing training about the ecology and threats to coral reefs, simple and local everyday solutions to these threats and Green Fins’ environmental standards to dive and snorkel operators. Green Fins membership will help marine tourism operators improve their sustainability and prove they are working hard to follow environmental best practices as a way of attracting eco-minded tourists.
James Harvey, Director at The Reef-World Foundation, said: “We are really excited to finally introduce Green Fins in Japan. We have been planning this for almost three years, but the travel restrictions related to the pandemic hindered progress. The diving industry in Okinawa and the marine life upon which it has been built is so unique, it must be preserved for generations to come. The Okinawa diving community is very passionate about protecting their marine environment, and Green Fins has given them an opportunity to collectively work to reduce their environmental impact and pursue exemplary environmental standards.”
Diving and snorkelling related damage to sensitive marine ecosystems, including coral reefs, is becoming an increasingly significant issue. This damage makes them less likely to survive other local and wider stressors, such as overfishing or plastic debris and the effects of climate change. Based on robust individual assessments, the Green Fins initiative helps identify and mitigate these risks by providing environmental consultation and support to dive and snorkel operators. Through Green Fins implementation in Japan, Reef-World aims to reduce negative environmental impacts in the region by reaching 10 marine tourism operators, training 50 dive guides and raising awareness of sustainability best practices among 10,000 tourists in the first year.
Yuta Kawamoto, CEO of Oceana, said: “Green Fins will help to unify all the conservation efforts in Okinawa by applying the guidelines in many areas and raising tourists awareness. We hope this will increase the sustainable value in the diving industry and in turn increase the diving standards in the country.”
Green Fins is a UN Environment Programme initiative, internationally coordinated by The Reef-World Foundation, which aims to protect and conserve coral reefs through environmentally friendly guidelines to promote a sustainable diving and snorkelling tourism industry. Green Fins provides the only internationally recognised environmental standards for the diving and snorkelling industry and has a robust assessment system to measure compliance.
To date, four dive operators in Onna Village have joined the global network of 600+ trained and assessed Green Fins members. These are: Benthos Divers, Okinawa Diving Center, Arch Angel and Pink Marlin Club. There has also been significant interest from other operators, even those that are not located in Onna Village, for Green Fins training and assessment.
Suika Tsumita from Oceana said: “Green Fins serve as an important tool for local diving communities to move towards a more sustainable use of their dive sites; so that they can maintain their scenic beauty and biological richness to provide livelihoods for many generations to come.”
For more information, please visit www.reef-world.org or www.greenfins.net/countries/
Dive and snorkel operators in Japan interested in signing up to be Green Fins members can contact the Green Fins Japan team at email@example.com.
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