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Scubaverse Underwater Photographer Interview: Josef Litt

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In an ongoing series, Scubaverse’s Underwater Photography Editor Nick Robertson-Brown talks to underwater photographers from around the world that he admires. In this blog: Josef Litt.

Photo: Dr Alex Mustard

I grew up in Czechoslovakia, and we now live with my family in a small town called Twyford, west of London. I dreamt of adventures in faraway lands and in the ocean since I was a little boy, although my interest in technology took over in my early teenage years. Computers became the subject of my studies and later occupation. However, the romance with adventure and nature grew stronger and stronger. The decision to go diving was inspired by my dad becoming a diver in the local army organisation in the late 1970s.

‘Build a house, father a child, become a diver.’

I managed these goals and also planted some trees in 2006. The decisive moment arrived when I brought a borrowed Canon S90 in an underwater housing to my second diving trip. The photos were dreadful, but the bug has bitten.

I like photography, but I love the stories and the adventure more. Which explains why I’d rather write an article than prepare images for competition. Winning is a great feeling but so is to see an article published in a magazine with a photo on the cover page. The most rewarding feeling though was to receive fantastic reviews of my book GALÁPAGOS from readers and magazine editors.

Nowadays I enjoy leading trips to the Galapagos and other destinations, taking photographs, writing articles and working on my next book. Juggling this, family life and my work as a business transformation consultant keeps me busy every minute.

My website www.joseflitt.com covers all about the trips, GALÁPAGOS and my photography. Follow me on Facebook (Josef Litt and Photography by Josef Litt) and on Instagram (@jlittphoto).

Check out the 2020 Galapagos trips on Scuba Travel’s website by clicking here.


NRB: What is your favourite u/w camera equipment (past & present) & why?

JL: The first camera I ever used underwater was a Canon, and I stayed faithful ever since. I own a Canon 5D Mark IV in Nauticam housing, and I am loving it. The dynamic range and the low noise of the sensor allow me to take pictures in difficult lighting situations. The ergonomics of the housing is impressive. I feel I have everything I need at my fingertips.

NRB: What would be your advice to anyone new to underwater photography?

JL: Firstly, have fun! Learn as much as you can, read about photography, book an underwater photography workshop. Bite the bullet and learn Adobe Lightroom and Photoshop properly. Your ability to develop underwater images is as important as the ability to take them.

NRB: What, or who, has been your single biggest inspiration for your underwater photography?

JL: The word ‘single’ in the question puzzles me. The natural history TV series featuring the underwater world formed my interest. But there was no such a thing as a single biggest inspiration. I am privileged to have a chance to learn from the grandmasters: Martin Edge and Alex Mustard, and also be part of an awesome community of underwater photographers around the world.

NRB: Where is your favourite dive location, and is it for the photography?

JL: My most favourite dive locations are in the Galapagos. Darwin and Wolf are fantastic dive sites. Diving with marine iguanas at Cabo Douglas on Fernandina is also an unforgettable experience. Galapagos is not an easy location to take photographs, but results can be stunning with perseverance and careful lighting techniques.

NRB: What are you views on marine life manipulation, moving subjects?

JL: I am against harassing marine life. One could say that the act of flying to exotic destinations has a much more significant impact than moving a candy crab to the top of the soft coral. Also, one flash may not harm a pygmy seahorse but a queue of keen photographers taking ten or more shots each probably will. A healthy respect for the environment and the creatures living in it is critical. Awarding a manipulated image means blacklisting the competition for me.

NRB: What do you look for when you are making your images?

JL: I look for the background, the decisive moment, composition, play of light and an interesting foreground subject. I am usually pleased with clean, uncluttered images.

NRB: What motivates you to take u/w photos?

JL: It is the desire to illustrate the stories about a place, an animal or an event with a view from another angle. Same reason why I enjoy taking split photographs and taking images with a drone.

NRB: If you could photograph any one thing/place what or where would that be?

JL: A gathering of whales. If I were limited to a single place, I would stay in the Galapagos.

To see more of Josef Litt’s work click here.

Nick and Caroline (Frogfish Photography) are a married couple of conservation driven underwater photo-journalists and authors. Both have honours degrees from Manchester University, in Environmental Biology and Biology respectively, with Nick being a Fellow of the Royal Photographic Society, a former high school science teacher with a DipEd in Teaching Studies. Caroline has an MSc in Animal Behaviour specializing in Caribbean Ecology. They are multiple award-winning photographers and along with 4 published books, feature regularly in the diving, wildlife and international press They are the Underwater Photography and Deputy Editors at Scubaverse and Dive Travel Adventures. Winners of the Caribbean Tourism Organization Photo-journalist of the Year for a feature on Shark Diving in The Bahamas, and they have been placed in every year they have entered. Nick and Caroline regularly use their free time to visit schools, both in the UK and on their travels, to discuss the important issues of marine conservation, sharks and plastic pollution. They are ambassadors for Sharks4Kids and founders of SeaStraw. They are Dive Ambassadors for The Islands of The Bahamas and are supported by Mares, Paralenz, Nauticam and Olympus. To find out more visit www.frogfishphotography.com

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Diver Discovering Whale Skeletons Beneath Ice Judged World’s Best Underwater Photograph

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UPY

An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.

“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”

UPY

Photo: Rafael
Fernandez Caballero

Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”

UPY

Photo: Rafael
Fernandez Caballero

Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”

“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”

Photo: Jenny Stock

In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”

UPY

Photo: Nuno Sá

More winning images can be found at www.underwaterphotographeroftheyear.com.

About Underwater Photographer of the Year

Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.

Header image: Underwater Photographer of the Year 2024 winner Alex Dawson

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World’s Best Underwater Photographers Unveil Breathtaking Images at World Shootout 2023

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The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.

Grand Prize Winners

  • Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
  • Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
  • Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 cash prize award.

Celebrating Diversity and Innovation

This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.

Looking Ahead: AI and Ocean Conservation

World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.

This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.

Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.

Explore the Stunning Collection

Discover the complete album of competition entries by clicking here.

For Low-resolution photos of finalist entries in eight categories, click here.

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