Photo / Video News & Reviews
NUPG Annual Splash-In and Print Competition 2015
Every summer since 2000, when the Northern Underwater Photography Group (NUPG) was founded, they have organised a one day underwater photography competition which takes place anywhere in North Wales. Anglesey has, traditionally, been the focal point for the judging of the event, and for the third year running, the society has synchronised the event to coincide with the Anglesey Scubafest. It features a splash-in competition, where competitors have to take images on the day, in the sea, and only in marine waters around the North Wales coast line. In the past, the competition has been restricted to NUPG members only, but since the linkup with Scubafest, the event is open to all comers and is now one of the best attended splash-ins in the country.
Caroline Robertson-Brown receiving her award presented to her by Richard Corner of Mares.
Everyone has their own idea of where they think they can get the best pictures. Some head out on boats, others shore dive; but this year, everyone had particularly difficult conditions to deal with. Whilst the sun shone overhead, making it a lovey day to be out and about, underneath the surface the visibility was unforgiving for photographers at less than one metre, and many of the dives also had some annoying and vomit-inducing surge.
Each participant can choose to enter images into 5 categories: System Wide Angle; System Macro; Compact Wide Angle; Compact Macro and the Spirit of Scubafest. Once the dives are completed, the divers then all rush to the Scubafest venue, where the images have to be handed in by 7:30pm in time to be considered in the competition. The images that are submitted are not allowed to be cropped and only basic, whole image editing is allowed. The images have to be taken on the day and in order to discourage anyone from using an image taken earlier, a registration sheet is emailed out the evening before, and this has to be the first image on the memory card.
On top of the splash-in competition, there is also a print competition, with four categories to enter: Overseas Wide Angle; Overseas Macro; British Wide Angle and British Macro. Each image has to have been taken within the last 12 months by NUPG members. These are displayed around the outside of the room for all those attending, whether they took part or not, to vote for their favourite images (two from each category). It was great to see so many lovely shots in each category making it a tough choice for every vote. It was generally felt amongst the NUPG members that this year’s entrants were of a particularly high standard.
The event was sponsored by 10 different companies from within the diving and underwater photography industry. This meant that each category winner, from both the splash-in and print competitions, got a trophy to take home and keep. Apeks, Frogfish Photography and Mares were on hand to give out their awards, whilst Mark Evans, Sport Diver editor, was on hand to present the rest. Many of the votes were extremely close, with only one vote in it and for 3 categories, a vote-off was required to decide the winners, and in another two cases, the runner-up. The four splash-in category winners were then voted for to decide the overall winner of the 2015 splash-in. The overall winner won a trophy to keep, but more importantly, they also collected the highly coveted NUPG Splash-In trophy (an underwater photographer made out of nuts and bolts) to keep until next year.
And the winners are:
Splash-In
System Wide Angle (sponsored by Frogfish Photography): Winner – Caroline Robertson-Brown with an image of the blue sky looking up through some seaweed at Mckenzies Pier; Runner-up – Nick Robertson-Brown with a split shot of his dog Paddy swimming through the seaweed, also at McKenzies Pier.
System Macro (sponsored by Apeks): Winner – Caroline Robertson-Brown with a shot of 3 shannies taken at Porth Dafarch; Runner-up – Jim Garland with a portrait shot of a lobster & John Spencer with a cute shot of a blenny.
Compact Camera Wide Angle (sponsored by Nauticam UK): Winner – Alex Tasker with a split shot, with a gull flying overhead; Runner-up – Nick Robertson-Brown with a shot of Star Wars characters fighting on a sandy seabed!
Compact Camera Macro (sponsored by DiveLife): Winner – Alex Tasker with a detailed shot of an anemone; Runner-up – Marc Hubble with a difficult shot of a tiny crab hanging upside down on seaweed.
Spirit of Scubafest (sponsored by Scubaverse.com): Winner – Roz Lunn with an image of a boy playing on an inflatable shark; Runner-up – Roz Lunn with an image of a horse on the beach with a boat full of divers in the background.
Overall Winner (sponsored by Mares): Winner – Caroline Robertson-Brown with the image of the shannies.
Print Competition
Overseas Wide Angle (sponsored by Equator Diving): Winner – Caroline Robertson-Brown with a split shot of a swimming pig from Exuma in The Bahamas; Runner-up – John Spencer with an evocative shot of a school of fish under a pier.
Overseas Macro (sponsored by Divequest): Winner – Paul Ansell with a lovely portrait of a colourful pipefish; Runner-up – Nick Robertson-Brown with a black background portrait of a leafy sea-dragon taken in South Australia and John Spencer with a tiny blenny on coral taken from above.
British Wide Angle (sponsored by INON UK): Winner – Caroline Robertson-Brown with a shot of a seal taken in the Farne Islands; Runner-up – Paul Kay with a shot of colourful brittle stars.
British Macro (sponsored by Frogsborn): Winner – Paul Kay with a bokeh (blurred) shot of an edible crab; Runner-up – Sue Spencer with a shot of an anemone with brittle stars.
Once again the event was very well attended, with a high standard of images on display (especially given the splash-in conditions). Caroline, who is the NUPG secretary, was overwhelmed at doing so well on the night. “The NUPG splash-in trophy is something I have wanted to win since joining the NUPG 8 years ago. I am extremely proud to have now done so and cannot wait to get my name engraved on the trophy alongside some of our society’s previous great underwater photographers.”
To find out more about the NUPG, visit www.nupg.org.uk.
An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.
“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”
Photo: Rafael
Fernandez Caballero
Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”
Photo: Rafael
Fernandez Caballero
Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”
“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”
Photo: Jenny Stock
In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”
Photo: Nuno Sá
More winning images can be found at www.underwaterphotographeroftheyear.com.
About Underwater Photographer of the Year
Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.
Header image: Underwater Photographer of the Year 2024 winner Alex Dawson
The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.
Grand Prize Winners
- Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
- Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
- Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 € cash prize award.
Celebrating Diversity and Innovation
This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.
Looking Ahead: AI and Ocean Conservation
World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.
This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.
Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.
Explore the Stunning Collection
Discover the complete album of competition entries by clicking here.
For Low-resolution photos of finalist entries in eight categories, click here.
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