With the Pocket Cinema Camera 4K, Blackmagic is giving users affordable 4K Raw video. The Blackmagic Pocket Cinema Camera 4K delivers true DCI 4K capture at 60fps recorded in either 12-bit Blackmagic raw format or a variety of 10-bit ProRes flavors. Video can be recorded internally to SD or CFast 2.0 cards or via USB-C to a compact SSD. The MicroFourThirds mount means a large selection of lenses.
The NA-BMPCCII is not just an update of the original NA-BMPCC, it is a ground up redesign for the new Blackmagic Pocket Cinema Camera 4K designed to take full advantage of the great new features of this cinema camera by also supporting additional batteries that can bring run-time above 3 hours, a portable SSD and the ability to use external monitors or recorders.
Nauticam’s design philosophy is driven by allowing immediate access to all essential controls within easy reach of the handles, allowing the shooter to make adjustments without having to take their eyes off the screen. Within reach of the right handle are the trigger as well as a control dial for iris, a lever to capture still images as well as a double thumb lever for the white balance and autofocus. A recessed double thumb lever, situated between the trigger and the rear thumb lever accesses the ISO and Shutter Angle (Shutter Speed). Three assignable buttons are atop the housing near the right handle as well as three buttons on the right rear for HFR, Auto-Iris, Zoom and Menu. A thumb lever on the left side activates Review.
The NA-BMPCCII features DSLR style ergonomic handles with stainless steel stiffening brackets that are compatible with the optional handle strap (PN 28130). The rear monitor window is compatible with the Monitor Shade for the NA-502 Housing (PN 17916) which attaches via four screws.
The NA-BMPCCII is built around the N85 Port System which offers a variety of port configurations for a large selection of lenses. The Pocket Cinema Camera 4K features a four thirds lens mount making it compatible with the Olympus M.Zuiko 14-42mm F3.5-5.6 II R lens that when paired with the WWL-1 provides ultra-sharp full-zoom-through wide-angle performance. The WWL-1, when used with the bayonet mount system can be exchanged underwater for the optional CMC-1 or CMC-2 to allow for the capturing of up to 130º wide-angle, macro and super-macro all on the same dive.
More information is available on the Nauticam website which you can visit by clicking here.