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Aquatica Announce AD500 Housing for the Nikon D500

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AD500

A19The new Aquatica AD500 housing is designed specifically for the long awaited Nikon D500 camera. With 21mp still image, 4K video possibilities, and an impressive level of low light performance, this Nikon D500 is a worthy addition to the DX format, a much appreciated sensor size for underwater photography.

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What’s in the Nikon D500 camera?

The Nikon D500 camera finally joins the rank of the popular DX format Nikon DSLRs. It brings interesting features:

  • A3UHD 4K from a 1.5x crop sensor
  • Flat picture profile for added post processing
  • On screen highlight warning
  • Power aperture control
  • Impressive AF performance
  • 153 point AF module
  • 55 selectable AF points
  • 100% viewfinder, with 1.0x magnification
  • The largest in cropped sensor DSLR
  • 10 frames per second rates
  • 200 Raw files buffer using XQD
  • Rugged construction of Magnesium Alloy and Carbon fiber composite

THE CONTROL LAYOUT

Aquatica designed the AD500 housing by carefully selecting the features that will improve performance for underwater imaging. They then ergonomically placed the vital controls where they were most needed, right at your fingers tips.

HOW TO QUICKLY GET TO THE CONTROLS

A4ISO is one of the key controls in managing the exposure in video, so particular attention was made in bringing this control at your thumb fingertip. Exposure compensation is crucial, so a dedicated lever has been implemented for engaging it quickly when needed. The control pad can also be accessed quickly via a set of extended controls that brings it close to your right hand for easy access; same goes for the AF-ON lever with its wide range of options available through the CSM menu of the A5camera. The Fn1 lever located in front and Fn2 button on the rear also gives you access to a range of CSM features. Two oversized and conveniently placed buttons give speedy access to the info and Live View activating features on the camera, and recording is as easy as pressing on the dedicated lever placed strategically close to your thumb.

HANDLING THE HOUSING, THE BEST GRIPS IN THE INDUSTRY

A6Handling is made with a pair of grips that have become the benchmark in comfort since their introduction over a quarter of a century ago. These grips are a perfect example of Aquatica’s philosophy, change should be implemented to improve a product, and not for the sake of novelty; when grips are as perfect as these are, leave them alone! Aquatica’s grips are light, sturdy and form fitting. They contribute to making your underwater photography experience more pleasing and comfortable. Mounting points on top of them allows strobes arms, such as those from Aquatica’s Delta 3 line, to be mounted securely, freeing the top of the housing from unnecessary clutter.

VIEWING OPTIONS

A7The Nikon D500 is already boasting the largest and best view finder of its category. Viewing can further be improved underwater with a choice of two enhanced view finders. Two Aqua View finders are available to improve underwater viewing throughA8 the camera finder. The Aqua View 180o finder offers straight through line of sight viewing with a generous viewing area, while the Aqua View 45o offers definitive comfort in viewing while shooting upward or for those down in sandy macro situations. Both accessory viewfinders are designed in such way as to minimize the blockage of the rear LCD when shooting using the rear LCD screen.

A9As a standard feature, the housing comes equipped with a quality multiple elements Galileo type eyepiece, and the rear LCD has been angled to give the viewer a more comfortable viewing angle when using it.

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The Aquatica AD500 offers the best available options on the market for connecting strobes with no less than four options to choose from.

20080-UWT

This AD500 housing version features our optional integrated TTL converter circuit board which is compatible with a wide range of underwater strobes. This converter offers both automatic strobe exposure, either through optical relay using optical fiber, or via standard and readily available electrical sync cords from your strobe manufacturers. Alternating between types of triggering is an easy affair, even in the field, with Aquatica’s easily replaceable bulkhead strobe connector design.

20080-OPT

Included with this optically set up housing version is the LED flash trigger. This LED trigger is powered by two popular “off the shelf” CR 2450 batteries and averaging 4,000 to 5,000 bursts of light. This LED trigger slides into the hot shoe of the camera like any other hot shoe accessory would. The 20080-OPT version of this housing is ready to accept standard optical fiber sync cable commonly found on the market – there is no need for a special proprietary or custom type cord, the optical fiber cord supplied by the strobes manufacturers are ready to use as is.

20080-NK

This version is set up with a pair of time proven Nikonos bulkheads connectors, the same available on all of Aquatica’s current DSLR housings. It is a well-established standard, which has been the back bone of strobe technology for decades and is still by far the most distributed type of strobe connectors in the whole underwater photography industry. This 20080-NK housing comes with not one, but two of these connectors installed. These, as well as the optical ones, are easy to replace in the field should one decide to alternate between ways of triggering your strobes, no special tools are required and the operation is done in minutes.

20080-KT

This version is equipped with a trusted Ikelite strobe connector. Since many hard working underwater professional photographers prefer using Ikelite strobes and connectors for their ruggedness and reliability, Aquatica has made a point to have this housing version available to its users.

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PORT SELECTION

The Aquatica AD500 uses Aquatica’s excellent line up of existing ports for the DSLR line of housings. A lot of effort has gone into giving you access to the most appealing lenses for this camera with the best port combination for them.

Since ports are such a vital part of the optical formula in any underwater photographic system, Aquatica have built one of the most comprehensive selections available for underwater imaging. Aquatica’s flexible modular system of extension rings, dome and flat ports is ready to face the challenge of constantly evolving lenses coming out on the market.

Wide angle imaging requirement can be addressed with domes of 4”/100mm, 6”/150mm, 8”/200mm and 9.25”/230mm, from ultra wide angle close up situations to top quality over/under images.

Macro imaging needs can be fulfilled using Aquatica’s recently introduced Mini Macro port. A vital part of the Aquatica ACU System, this port has a narrow frontal signature making lighting in tight corners easier. A bayonet mount is located on its front end for attaching Aquatica’s ACU system flip holder with the potential of attaching up to two ACU wet diopter close-up lenses.

A14Tying the port system together are a set of fourteen locking extension rings, ranging in length from .65”/16.5mm to 3.82”/97.5mm. Port extensions are strategic partners in the optical chain. They serves two purposes: in the case of wide angle lenses, it helps optimize the performance of a wide angle lens by properly placing the optical center with that of the dome port; and for macro lenses, it gives added length for accommodating longer focal length lenses such as the 105mm, or when using internal accessories such as a tele converter which may contribute to the added magnification of a given lens.

SAFETY FEATURES

A15The AD500 comes standard with Aquatica’s own Surveyor moisture and vacuum monitoring sensor circuit installed at the factory. The housing can also be ordered with the optional pressure extracting valve and pump installed at the factory. The visual and audio signal will attract your attention should any of the O-rings become damaged or hindered by sand, hair or any foreign objects that would compromise the sealing integrity of the housing. All that is required are a few simple steps for your peace of mind and knowing that your equipment is safely protected from the environment.

A16Securing of the housing is done with time proven stainless steel latches equipped with safety tabs. These are non-gimmicky – their solid track record has demonstrated that what they lack in fashion style, they more than make up in resistance to failure, jamming up or corroding over time. Chosen as a standard means of securing highly valuable assets and equipment by scores of sensitive scientific and military equipment manufacturers, this method of securing is beyond reproach when it comes to reliability. Their simple and efficient design makes them reliable and they are a reflection of Aquatica’s commitment to rely on time and field proven technology.

HOW IT’S MADE

A17At the core of the design is the shell, designed on cutting edge software by dedicated individuals, machined on state of the art 5 axis CNC machine from a solid block of 6061 T6 aluminum alloy, the same routinely used in aerospace technology. This alloy is acclaimed for its high resistance to corrosion. The shell is then anodized to a MIL-A-8625 Type 2, Class 2 specification, and finally covered with a tough as nails, black polyester powder coating baked at a high temperature in order to be certified to the A.A.M.A 2603-98 specification. This kind of protection is not superfluous, as evidently shown on Aquatica housings having logged over 3,000 immersion and which are still on active duty day after day.

Control shafts and push buttons are made from a Type 304 stainless steel, another metal commonly used by the aerospace industry. It is controlled to be free of the iron contaminants that degrade quality and integrity of the metal, such as the ones often found on the less stringent type 316, which unfortunately, is too often used in this industry.

The housing shell has two entry points for connecting strobes plus two others for adapting various accessories. There is a large 16mm diameter access point on the left hand side, ideal for connecting a monitor.  Also located on the left hand side is a standard 1/2” diameter access point for the optional Surveyor pressure valve.

MAIN FEATURES OF THE AQUATICA AD500 HOUSING

  • Well established and proven system of ports, extensions and accessories to attend to your personal lens preferences.
  • Quick and simple installation of enhanced viewfinders; no special tool required.
  • The best selection of strobe connectors on the market.
  • Dual Nikonos bulkheads
  • Optical fiber with flash trigger included
  • Ikelite single bulkhead
  • Built in TTL converter for optical or electrical triggering.
  • Exceptionally good and ergonomic control placement.
  • All controls remain accessible in all dive conditions, either cold or warm, gloves or no gloves.
  • Secure port locking system and easy access lens release button.
  • The most comfortable and sturdy hand grips of the industry, also extendable for larger or gloved hands.
  • Precise camera mounting via a quick release camera tray with angled rear LCD positioning.
  • Two (2) entry points for accessories such as HDMI monitors, remote control or vacuum monitoring systems.
  • Eight (8) threaded standard ¼”-20 holes, one located on top, three on the bottom and four on the grips, to mount a strobe arm, brackets, tripods and a wide range of other accessories.
  • Depth rating options of 90m or 130m depth at no extra charge.

Retail price starting at $3,195 USD

Available mid-July

For more info email info@aquatica.ca or call +1 514-737-9481.

Nick and Caroline (Frogfish Photography) are a married couple of conservation driven underwater photo-journalists and authors. Both have honours degrees from Manchester University, in Environmental Biology and Biology respectively, with Nick being a Fellow of the Royal Photographic Society, a former high school science teacher with a DipEd in Teaching Studies. Caroline has an MSc in Animal Behaviour specializing in Caribbean Ecology. They are multiple award-winning photographers and along with 4 published books, feature regularly in the diving, wildlife and international press They are the Underwater Photography and Deputy Editors at Scubaverse and Dive Travel Adventures. Winners of the Caribbean Tourism Organization Photo-journalist of the Year for a feature on Shark Diving in The Bahamas, and they have been placed in every year they have entered. Nick and Caroline regularly use their free time to visit schools, both in the UK and on their travels, to discuss the important issues of marine conservation, sharks and plastic pollution. They are ambassadors for Sharks4Kids and founders of SeaStraw. They are Dive Ambassadors for The Islands of The Bahamas and are supported by Mares, Paralenz, Nauticam and Olympus. To find out more visit www.frogfishphotography.com

Blogs

Diver Discovering Whale Skeletons Beneath Ice Judged World’s Best Underwater Photograph

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UPY

An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.

“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”

UPY

Photo: Rafael
Fernandez Caballero

Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”

UPY

Photo: Rafael
Fernandez Caballero

Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”

“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”

Photo: Jenny Stock

In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”

UPY

Photo: Nuno Sá

More winning images can be found at www.underwaterphotographeroftheyear.com.

About Underwater Photographer of the Year

Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.

Header image: Underwater Photographer of the Year 2024 winner Alex Dawson

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World’s Best Underwater Photographers Unveil Breathtaking Images at World Shootout 2023

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The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.

Grand Prize Winners

  • Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
  • Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
  • Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 cash prize award.

Celebrating Diversity and Innovation

This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.

Looking Ahead: AI and Ocean Conservation

World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.

This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.

Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.

Explore the Stunning Collection

Discover the complete album of competition entries by clicking here.

For Low-resolution photos of finalist entries in eight categories, click here.

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