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Aperture, Shutter Speed, and ISO for Underwater Photography

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By Carlo Piscioneri, Founder of Night Sky Pix

When just starting out in low-light photography, trying to get your head around all the camera settings can be quite overwhelming. The purpose of this article is to get you up to speed with some of the most common terms related to camera settings, what they mean, and how they affect your images!

So whether you’re trying to shoot a starry night image, or into the cool depths of underwater photography, these principles will all apply equally.

Getting Started With Underwater Photography

If you’re planning on shooting underwater, getting to know your camera is extremely important. First off, to capture the best photos possible, you’ll need to set your camera to (M) Manual Mode.

Auto mode is great for daytime images, but in low-light situations where the conditions can constantly change, you’ll need manual mode and adjust your settings for the specific situation.

By doing this, you are taking control of your camera’s settings. Regardless if you are shooting underwater or above ground, this will make the biggest difference to your images.

Throughout the rest of this article, we’ll discuss the three Manual settings that all photographers need to look at when taking photos. They are aperture, shutter speed, and ISO.

Exposure Triangle

The term “exposure triangle”, is the combination of the three main components of photography.

Aperture, shutter speed, and ISO. All three work together to help bring out the best in your images and will determine the overall brightness of your pics.

Once you begin to understand how the three all relate to each other, you’ll have much more control of your camera’s abilities and settings, allowing you to adjust to the right settings for the right situation.

Below is a breakdown of each of these terms and what they do.

Aperture

This is the first common term that you should learn in any form of photography.

Simply put, an aperture is the size of the opening in the lens.

Think of aperture as an adjustable widening and narrowing of the lens, the wider the opening, the more light will pass through and make its way to the sensor, while the smaller the lens opening the less light is allowed to pass through.

While there are many types of visual devices that use a reference of apertures, such as binoculars and telescopes, they lack something that digital cameras have, which is a diaphragm that allows you to adjust the amount of light that reaches the camera’s sensor.

Camera settings with the aperture wide open allow more light into the image, resulting in a brighter photo. This is of the utmost importance when shooting in low light situations like night and underwater photography.

The aperture is measured in f-stops, a small aperture like f/1.8 is a wide opening, a large aperture like f/22 is a very narrow one.

The aperture is one of three camera settings that determine the overall exposure and brightness of an image, (how bright or dark the final image is).

Depth Of Field

The aperture also affects how much of the image is in focus (DOF). Wide apertures result in a creamy, unfocused background, while narrow apertures keep more of the image in focus.

Choosing A Higher Or Lower Aperture Setting?

Depending on the final outcome you want to achieve from photographing a scene, here are a few things to consider.

When shooting an object close up, a wider aperture will make the scenery behind the subject out of focus/blurry. This is usually performed when shooting a subject close up, like a portrait photograph.

A smaller aperture setting will allow you to achieve a broader depth of field view so you can capture a broader area of focus. This is useful for landscape photography.

Shutter Speed

The shutter speed is the setting of the camera that opens and closes the shutter to let light in and take a picture. The shutter speed indicates how long the shutter remains open, written in seconds or fractions of a second, such as 1/200 s. or 1″, where the symbol ” is quite often used to denote a whole second.

If you reduce the time your camera’s eye is open by half (shutter speed), you then get half the ambient light in your image.

The longer the shutter remains open, the more light is let in. So why don’t we just leave the shutter speed setting as long as possible?

Because anything that moves when the shutter is open will be out of focus and blurred, and if the whole camera moves with the shutter open, the whole image will be blurred.

Does Shutter Speed Affect All The Brightness Of An Image?

Changing the shutter speed affects the ambient areas of your image. The faster the shutter speed, the darker these areas become.

What About A Flash Or Strobe?

The amount of light you get into the picture with a flash or strobe is not affected by the shutter speed, because a flash only flashes for a fraction of a second. Changing the shutter speed has no effect on how much stroboscopic light appears in your picture.

ISO

The ISO value determines how light-sensitive the camera is. For example, an ISO value of 100 means that the camera is not very sensitive – ideal for daylight shooting.

An ISO value of say, 3200 or more means that the camera will be very sensitive to light, so you can use this higher ISO value for low-light shooting. The downside to increasing your ISO value is that the higher the ISO value, the more noise you start to introduce into your images, resulting in a more “grainy artifacts” in the image.

While you still need to be careful when raising your ISO as to not introduce too much noise into your image, it’s not as much of an issue as it used to be.

Older models of DSLR cameras were notorious for introducing a lot of noise into a picture but nowadays, a lot of the newer model cameras, from Canon, Sony, Nikon, etc have much better camera sensors and can handle much higher ISO levels with minimal noise in an image.

Like all things, I recommend you test the threshold of your camera to see what you’re happy with when raising your ISO.

Lastly, when it comes to ISO, especially during any form of low-light photography, it is usually the last of the settings to change, as you really don’t want to introduce any more digital noise into your image than needed.

Conclusion

Low-light photography does take a little more effort than regular daylight photography. You’ll need to adjust a combination of the three components (exposure triangle), aperture, shutter speed and ISO to capture that perfect shot.

Hopefully this article has helped you get a bit more understanding of what those three do and why they’re so important.

To learn more about night photography, visit www.nightskypix.com


Carlo Piscioneri

Carlo is editor in chief at NightSkyPix.com. You’ll often find him in the backyard testing out different equipment or techniques to try and improve his images. He loves to write about all things night photography and can’t wait to share what he has learned with you.

NightSkyPix is a site dedicated to astrophotography. When it comes to night photography, there are many, many options when it comes to equipment, configuration, and even what to shoot. Things can get complicated quickly, so the aim is to help simplify and teach readers by sharing great guides, tutorials, reviews, and resources.

Jeff Goodman is the Conservation editor and also the Underwater Videography Editor for Scubaverse.com. Jeff is an award winning TV wildlife and underwater cameraman and film maker. With over 10,000 dives to his credit he has dived in many different environments around the world.

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BSAC launch #DiscoverUKdiving video competition

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BSAC is launching a new video competition which aims to get the diving community sharing and discussing the highlights of UK diving to inspire others to give it a try and discover it for themselves.

They are inviting you to share short UK diving or snorkelling videos – tagged #DiscoverUKdiving or #DiscoverUKsnorkelling – to be in with a chance of winning a Fourth Element Hydra Neoprene Drysuit worth £999 (or an alternative non-diving suit if a snorkeller wins). There are other prizes up for grabs too, with a Fourth Element duffel bag going to second place and a year’s BSAC membership for third.

The #DiscoverUKdiving video competition aims to get the diving community talking about the highlights of UK diving and/or BSAC club life by sharing short videos to surprise and inspire others to discover it for themselves.

BSAC is looking for videos that show an exciting moment, unique insight or anything that exemplifies why diving in the UK is so much fun and can encourage others to take up UK diving. People will be invited to vote for the entries they find most inspiring on the competition gallery website.

BSAC CEO Mary Tetley said: “We want to show others who haven’t experienced UK diving why we love it so much, and we need your help! Use your phone, GoPro or pretty much anything to share a short video that encapsulates why you love diving in the UK. Ideally, showing off UK diving the BSAC way!”

The competition will be open for entries until midnight on Monday 30 November.

The videos can be either be above water (e.g. a RIB ride out to a dive site), below water (e.g. exploring a wreck with your buddy) or a combination of both. Each video should be short (no longer than 15 seconds) and you can enter up to three videos. The winner will be the entry that receives the most votes. Voting will remain open for a further week and close on Monday 7 December. The winners will be announced the week of 14 December, good luck!

Full terms and conditions, including how to enter as well as how to vote on your favourite video can be found here.

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Henley Spiers: Black & White Photography at the September NUPG meeting (Watch Video)

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The September NUPG meeting saw Henley Spiers take to the virtual stage. Henley decided to divide the evening into two topic areas for discussion: Black and White Photography and Pelagic Encounters – his two biggest passions in underwater photography at the moment.  Henley showed off his stunning black and white images to the NUPG audience, talking about why he selected each image to convert to monochrome and was generous enough to share the photoshop techniques with the group too. He then went on to wow the group with images from the deep blue sea, with some simply stunning pelagic encounters. 

As always, the NUPG members also had a chance to show off some of their images in the monthly competition. This month’s theme was “Invertebrates” and it saw a range of ideas and images from the group.

The winning shot of a sea lion was taken by Maggie Russell

The runner-up was by John Spencer

Third place was taken by Justin Beevor

The next meeting was held on Monday 12th October, a talk from Simon Rogerson: Difficulties with Sharks. Check back soon for the video!

For more information about the NUPG please visit the website by clicking here.

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