Photo / Video News & Reviews
Underwater wildlife video and editing courses in Cornwall
All images in this article are taken from video frames.
After an introductory lecture, we headed for Mylor in Cornwall to join Mark Milburn of Atlantic Scuba to join his dive boat for a few days diving on local reefs and wrecks. We prepared the cameras in the car park and ran through a few final details; how to get close to the animals, composition, and best camera settings. We touched on how to create sequences for the editing but would come back to that later after a few sessions in the water.
It was one of those days where the bright sun was occasionally enveloped in thick sea mist and a chilly breeze lowered the air temperature. But the water was calm and quite warm for the time of year. Quite a few Bull Huss (Great Spotted Dogfish) had been seen on the previous day so we were quite excited to see them should luck be on our side. But this is the sea and there are never any certainties. As we left the harbour, the mist came down permanently and took away the sun, which remained hidden for the rest of the day.
We dropped into the shallow water off a nearby headland into a mixture of rock and kelp and it was here on our first dive we watched large Ballan Wrasse feeding on small crustaceans from under rocky overhangs. I find the Ballan Wrasse to be one of the most friendly fish in our UK waters and with a bit of patience it is always possible to get very close to them. In fact, as long as they don’t think you are a threat, they will get curious as to what you are doing and come close to investigate.
Unlike Wrasse, Spider Crabs are more timid and scuttle away to hide in the kelp.
Later we returned to the harbour for hot drinks and lunch which gave us the perfect opportunity to review and analyse what we had shot and to talk about the importance of diver buoyancy, which is key to being able to hold the camera steady for long smooth shots.
Our next dives were on the Mohegan wreck off the Manacles reef. She was originally built as a mixed passenger liner and animal carrier and went down in 1898 with the loss of 107 lives. Wrecks are tragic in terms of lives lost but finally settle on the sea bed to make robust habitats for many species of marine life.
As we finned past the ship’s boilers we came to the crushed and storm-battered remains of the rest of the ship, where pink sea fans had taken hold and were growing in the rich current. It wasn’t too long before a Ballan Wrasse appeared and began utilising our lights to look for food in the crevices and overhangs.
A curious conger poked its head out from a shallow hidey-hole and a small lobster, startled by our lights, slowly backed away out of sight.
The dive finished with a rare encounter with a very small Monk fish or Angler fish. Believing fully in the effectiveness of its own amazing camouflage, it remained as motionless as a statue, hoping the lights would soon go away and leave it in peace. While it was great to see this wonderful fish, I also felt great sadness in that I hadn’t seen one for many years, and when I finally did, it was so small. I remember with great fondness swimming with these Angler fish off the Devon coast and an average size would be 5-6 foot (1.5-1.8 meters) in length. They are now heavily fished and their tails are often mis-sold as scampi.
The last two days of the course were held in the studio where Tony and Paul edited their clips into short videos. Here we covered all the aspects of video editing like how to produce sequences, apply colour grading, continuity issues and much more. Finally the videos were scripted, narrated and music added. The finished videos are below.
If you would like to know more about future courses go to www.jeffgoodman.co.uk or contact me at jeff@scubaverse.com.
An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.
“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”
Photo: Rafael
Fernandez Caballero
Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”
Photo: Rafael
Fernandez Caballero
Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”
“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”
Photo: Jenny Stock
In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”
Photo: Nuno Sá
More winning images can be found at www.underwaterphotographeroftheyear.com.
About Underwater Photographer of the Year
Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.
Header image: Underwater Photographer of the Year 2024 winner Alex Dawson
The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.
Grand Prize Winners
- Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
- Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
- Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 € cash prize award.
Celebrating Diversity and Innovation
This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.
Looking Ahead: AI and Ocean Conservation
World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.
This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.
Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.
Explore the Stunning Collection
Discover the complete album of competition entries by clicking here.
For Low-resolution photos of finalist entries in eight categories, click here.
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