Photo / Video News & Reviews
Underwater Photography News from DIVE 2016, Part 6: And finally….
There was so much to cover at the Dive Show, that it is time for us to do a round up of the remaining equipment stands and also include BSoUP in our ramblings. BSoUP are an ever present stand at the show and the volunteer members manning the stand are always ready to give advice to budding underwater photographers and experts alike. This year the BSoUP stand had been updated, with new images and an audio-visual display. The images showed off as many underwater photograph techniques as possible and also tried to show off the work of as many of their members as they could. BSoUP is going strong, with “buoyant membership figures” of close to 300 members and counting. Also on display at the BSoUP stand were examples of the underwater photography books by members, and this alone is a great testament to how talented and knowledgeable the group is.
Along with the BSoUP stand, the members also run the underwater photography competition that is held at the Birmingham Dive Show each year. From over 100 entries, the best 80 are mounted and displayed in four categories: British & Irish, Overseas, Advanced British & Irish and Advanced Overseas. Everyone that attends the show is invited to vote for their favourite images and this is always a popular feature of the show. Once the votes have been counted up, the winners will be announced, probably sometime in early November. In addition, an expert judging panel will also select their winning shots and their favourite will be crowned overall champion. As soon as we have the results we will get them up onto Scubaverse.com so that you can see if your favourite shot won.
Cameras Underwater are regulars at the Dive Show and it is always hard to grab an interview with the team, as they are always very busy. We grabbed a rare quiet moment to ask the team what they thought of the show. With exciting new cameras at both ends of the spectrum, the Canon G7X MkII and the Canon 5D Mk IV were creating a great deal of interest. In the lighting arena, the team really loved the Exposure Action 100 and on the wet lens front they also showed-off the Epoque ESL-TG4 Soratama lens, made for the TG4 camera. This creates a “bubble” effect on the image and will be a popular and fun lens for those looking to create something a little bit different in their images. The team “love coming to Birmingham and seeing lots of customers, old and new”.
Blue Orb are newcomers to the show, and were showing off the popular Fantasea range of housings. With the Fantasea G7X MkII, recently returned from our latest review session, on display, there was certainly lots of interest. But Blue Orb had even more recent goodies, with the dual branded Fantasea / AOI Super Wide Angle Lens which “works wonderfully with all the Fantasea housings”. Another new lens, which had just arrived before the show opened, is the Fantasea / AOI Super Close Up lens which is a +12.5 diopter for those who love their super macro photography. When we met up with Brett, owner of Blue Orb, he said the show was “going really well. Lots of people, and very busy”. With Blue Orb also offering plenty of dive equipment, including the new XDeep Zen travel Wing, the stand was packed every time we went by.
Sea & Sea also have a photography equipment section amongst their dive gear. They were showing off new housings for the Nikon D500, Canon 80D and the Sony A6300. Sea & Sea was one of the first stands we visited and Geoff Sharples told us that it had been a “good start to the show” and that it was “busier than expected”. We hope to get some Sea & Sea equipment to review for Scubaverse in the near future, and with a new buoyancy arm system that can also be used as a handle coming out, perhaps we can get our hands on this soon!
That is it from us from DIVE 2016. There was certainly plenty for all the underwater photographers that visited the show. Our next stop is Las Vegas for DEMA, so we hope to have lots of new photo-related gear to talk about!
Blogs
Diver Discovering Whale Skeletons Beneath Ice Judged World’s Best Underwater Photograph
An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.
“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”
Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”
Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”
“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”
In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”
More winning images can be found at www.underwaterphotographeroftheyear.com.
About Underwater Photographer of the Year
Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.
Header image: Underwater Photographer of the Year 2024 winner Alex Dawson
News
World’s Best Underwater Photographers Unveil Breathtaking Images at World Shootout 2023
The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.
Grand Prize Winners
- Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
- Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
- Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 € cash prize award.
Celebrating Diversity and Innovation
This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.
Looking Ahead: AI and Ocean Conservation
World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.
This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.
Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.
Explore the Stunning Collection
Discover the complete album of competition entries by clicking here.
For Low-resolution photos of finalist entries in eight categories, click here.
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