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The Semi-Annual Underwater Video Competition At Red Sea Diving Safari

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Twice a year Red Sea Diving Safari run a video competition for all of their guests with the prize for each winner being a free stay at one of the RSDS villages. The competition is open to any video shot while staying with RSDS. Scubaverse’s Underwater Videography editor Jeff Goodman, one of the judges, runs RSDS’ video workshops and has donated to the winning entrant a copy of his book ‘A guide to Underwater Wildlife Video & Editing’.

Details of this competition and further events can be seen on the RSDS website.

Jeff praised the entrants for all their hard work:

“Congratulations to all entrants. This has been the highest overall standard so far and I have enjoyed watching all the videos. It’s great to see people getting so much out of interacting with our marine environment and being able to capture magic moments on camera to share with others.

As with all competitions, there has to be a winner (but no losers). It was difficult to pin this down to one entry but in the end the film that stood out more than any other was by Volker Staub. The music and pace of images worked perfectly together creating a magical, dreamlike quality to the video that portrayed a new feel to our underwater world.

I have commented on each individual entry below in the order they appear on the Red Sea Diving Safari website, but would urge each entrant to look at all the comments and not just their own.

***WINNER*** “Wadi Lahami, 2 to 4 August 2014” by Volker Staub

[youtube id=”Mb4OpP-MBqo” width=”100%” height=”400px”]

Well, that was different and I loved it. Quite surreal and artistic. Long steady slow shots with spellbinding music gave the whole video a dreamlike quality that kept me engaged all through the 7 minutes. It worked for me. Any other type of music would not have done the same job. Here is a perfect example of just how important music is.

“Red Sea Diving Safari” by Gery Beeckmans

[youtube id=”CjZWWKvMRKY” width=”100%” height=”400px”]

Really nice film with good steady shots and tracks. The images were all sharp and well composed. You obviously put a lot of thought and time into this.

Great Dolphin beginning and the music created a good atmosphere. Then coming to the wreck, it was interesting to get some information on the screen about her but perhaps a little more would have been desirable. Moody music with this section. It created a feeling of total desolation and loss which worked well if that was the intention. The following reef shots were very nice but for me the music was the wrong choice. It was too powerful and dramatic for pictures that had no dramatic action. Music is such an important part to any film and needs to reflect a mood or enhance what is happening on screen.

Having said that, the images were shot with good lighting and composition. Also good steady close ups on the reef. Having now produced such a nice film, try to go to the next stage and get animal behaviour as well as the portrait snapshots. All in all great film. Well done.

“Dugong” by Evert Hageman

[youtube id=”kxkhVVuVoNI” width=”100%” height=”400px”]

What a treat. Such great behaviour from the dugong and well done for capturing it. I was wondering what camera you were using as the exposure kept flashing. I would think the exposure was on automatic which was causing the fluctuations. See if there is a manual override so you have more control.

The entire film was one single shot and that worked really well. The sound of the diver bubbles was nice and so didn’t really need any music. Try looking at how to do a few titles. Hope you have more such encounters.

“Diving at Marsa Shagra with Red Sea Diving Safari” by Willem van den Broeck

[youtube id=”d9OPX2KRU9g” width=”100%” height=”400px”]

Great film, well done. I liked the intro with the resort and divers and good choice of music to go with it. Easy pace to the film with interesting story line which took the viewer into the water. Nice change of pace with shots as well as music. All shots were steady, sharp and with good exposure.

The night dive created a new feel to the film and change of pace with new music. The huge number of different species kept me interested right through. Finally I was pleased to see the Bedouins when the video returned to land for the closing section.

“Marsa Shagra 2014” by Marcel Bitten

[youtube id=”_2XO97-ZkUU” width=”100%” height=”400px”]

Good film with very good choice of music to enhance the images. All in all very interesting composition with sharp and steady pictures. There were some interesting colours throughout and if this was not intentional then I would suggest having a look at and learning a little about colour balance. Loved the turtle ending.

“Marsa Shagra Nov 2014” by Keith Sheldon

[youtube id=”IZQ-0xZKaRI” width=”100%” height=”400px”]

Nice opening shot with the sunrise and then good mood music with excellent underwater images. Great variety of species as well as shots including the close ups which were well lit. All sharp and steady. I liked the sound mix of music with divers bubbles.

“Egypte 2014” by Sylvia Opstal

[youtube id=”qGUXFyp97No” width=”100%” height=”400px”]

Looks like it was shot on a GoPro, which is an excellent camera although can be difficult at times to hold steady. I liked the opening and music which gave a good feel to the film. Throughout there was an interesting mix of moods and styles which worked well together. Looked like you had a great trip.

I always get slightly dismayed when I see videos that are over 3 or 4 minutes long as it is quite difficult to maintain a high interest level for longer. Running at 6.47 minutes I felt it was just too long, being cut to two different music tracks. Perhaps it would have been better to keep the length to just one track and only put in the very best of shots. Less is more as the saying goes. Always better to leave audiences wanting more rather than feeling they have seen too much.

“Marsa Shagra 2014” by Philippe Trojani

[youtube id=”NmZdXX8snEI” width=”100%” height=”400px”]

Good opening on land and underwater with nice choice of music. Loved the diver pointing to the turtle and then the shoaling fish. All sharp with good exposure and composition. The two octopus were a real treat and well done you for holding the shot so steady. But no close up? That really would have been special. When filming wildlife try to get on the same eye level as the subject as this usually gives a better perspective. Nice film though but perhaps a little too long.

“The Coast is Clear” by Mike Jansen

[youtube id=”hGLvTGPItYA” width=”100%” height=”400px”]

Pacey opening but do think about length of shots. Only keep them long if they are really interesting or you have something to say about them. Nice transition to the water. GoPro selfies can be good but once again please consider the length of shot. You obviously love your diving and are very good at it.

“Marsa Shagra June 2014” by Ahmed Helal

[youtube id=”jUbLu0NHoSM” width=”100%” height=”400px”]

Lovely opening images with good music. It all had a nice pace but a few of the shots later in the film were really too dark for me see what was going on. I think you would gain a lot from exploring the possibilities of lighting with a small movie light.

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Are you interested in videography? Perhaps you’re a beginner, or maybe you just want to improve your skills. Jeff runs course in the Red Sea, Portugal and Cornwall in the UK. For more information, visit www.jeffgoodman.co.uk.

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Diver Discovering Whale Skeletons Beneath Ice Judged World’s Best Underwater Photograph

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UPY

An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.

“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”

UPY

Photo: Rafael
Fernandez Caballero

Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”

UPY

Photo: Rafael
Fernandez Caballero

Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”

“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”

Photo: Jenny Stock

In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”

UPY

Photo: Nuno Sá

More winning images can be found at www.underwaterphotographeroftheyear.com.

About Underwater Photographer of the Year

Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.

Header image: Underwater Photographer of the Year 2024 winner Alex Dawson

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World’s Best Underwater Photographers Unveil Breathtaking Images at World Shootout 2023

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The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.

Grand Prize Winners

  • Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
  • Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
  • Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 cash prize award.

Celebrating Diversity and Innovation

This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.

Looking Ahead: AI and Ocean Conservation

World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.

This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.

Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.

Explore the Stunning Collection

Discover the complete album of competition entries by clicking here.

For Low-resolution photos of finalist entries in eight categories, click here.

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