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Scubaverse Underwater Photographer Interview: Zac Macaulay

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In an ongoing series, Scubaverse’s Underwater Photography Editor Nick Robertson-Brown talks to underwater photographers from around the world that he admires. In this blog: Zac Macaulay

ZM: I am a lighting underwater cameraman and photographer shooting film sequences for dramas, feature films, music videos, TV and commercials for advertising agencies and the movie industry. My inspiration is great imagery which is truly been thought about and crafted.

I live in Brighton with my wife and three kids (now teenagers) but was originally from Richmond in Surrey. When I was small my father and I (who lived in Swanage in Dorset) used to stare at the big burly divers venturing into the water and I knew somehow I wanted a part of that.

I started in photography specialising in underwater work from 16 years old signing up to several Martin Edge photography courses and getting my first major professional break in 1997 when Diesel Jeans asked me to shoot a worldwide campaign for them.

On top of that Steve Weinman and Diver Magazine have been extremely kind, sending me all over the world shooting wildlife and allowing me to hone my eye over the years practicing my craft as well as lounging about on some really fabulous beaches.

Since then I have shot loads of campaigns all over the world for clients as diverse as Guinness, The Royal Ballet, Take That, Myleene Klass for Littlewoods, The Disney Channel, Pantene Pro V, Fit Bit, The British Army, The BBC and The National Lottery amongst others.

Artist Statement

I consider myself a team player and like to use a strong graphic element in my photographic and film style, using colour and composition as a thread that runs through my work.

As a lighting underwater cameraman and photographer I enjoy the craft of shooting and lighting underwater and the extra dimension the medium gives you. Whether it be in the open sea, an underwater studio or pool for ultimate control, all present different and interesting challenges, but always enjoyable.

There is no secret to success in anything done well. Its just hard work, focus and a gene or two from your grandparents.

Water allows me to have space to shoot creatively and in three dimensions like no other medium.

Finally my aim is to make it much more interesting…

Awards

I have won three international awards for my work including the prestigious Winner, Palme d’Or, Advertising category for best stills image, Antibes Underwater Film and Photography festival.


NRB: How did your underwater photography start?

ZM: I started when I was 16 learning to dive and running my interest in photography alongside. I soon found a job in a London advertising studio making the tea and asked who was the best underwater photographer at the time. Mike Portelly came back the answer, so I called him 100 times till he gave me a job.

NRB: What is your favourite u/w camera equipment (past & present) & why?

ZM: Today I own and shoot with a Nikon D800 and Seacam housing for stills, and a Seacam / Panasonic GH5 and Red Epic Dragon / Gates Deep Weapon housing for film.

My oldest and proudest working system is one of 10 Peter Scoones built housings for a Mamiya RB 67 roll film camera. On 220 film you can have as many as 20 exposures up your sleeve!

NRB: What would be your advice to anyone new to underwater photography?

ZM: Enter it as an exciting hobby that will take you all over the world. Professionally underwater photography today is very challenging and extremely difficult to make a living from if you have a mortgage and family.

NRB: What, or who, has been your single biggest inspiration for your underwater photography?

ZM: Mike Portelly

NRB: What image are you most proud of and why?

ZM: My ad for Diesel because it launched my career.

NRB: Where is your favourite dive location, and is it for the photography?

ZM: Cuba, well yes and no, great Rum and a travellers destination.

NRB: What are you views on marine life manipulation, moving subjects?

ZM: Personally I haven’t done it.

NRB: What do you look for when you are making your images?

ZM: Learn to see and not just to look.

NRB: What motivates you to take u/w photos?

ZM: It’s in the blood, the 3 dimensional movement the calmness and the creative buzz from doing something difficult.

NRB: If you could photograph any one thing/place what or where would that be?

I would go back to Sipadan in Malaysia.

To see more of Zac’s work click here.

Nick and Caroline (Frogfish Photography) are a married couple of conservation driven underwater photo-journalists and authors. Both have honours degrees from Manchester University, in Environmental Biology and Biology respectively, with Nick being a Fellow of the Royal Photographic Society, a former high school science teacher with a DipEd in Teaching Studies. Caroline has an MSc in Animal Behaviour specializing in Caribbean Ecology. They are multiple award-winning photographers and along with 4 published books, feature regularly in the diving, wildlife and international press They are the Underwater Photography and Deputy Editors at Scubaverse and Dive Travel Adventures. Winners of the Caribbean Tourism Organization Photo-journalist of the Year for a feature on Shark Diving in The Bahamas, and they have been placed in every year they have entered. Nick and Caroline regularly use their free time to visit schools, both in the UK and on their travels, to discuss the important issues of marine conservation, sharks and plastic pollution. They are ambassadors for Sharks4Kids and founders of SeaStraw. They are Dive Ambassadors for The Islands of The Bahamas and are supported by Mares, Paralenz, Nauticam and Olympus. To find out more visit www.frogfishphotography.com

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Diver Discovering Whale Skeletons Beneath Ice Judged World’s Best Underwater Photograph

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UPY

An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.

“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”

UPY

Photo: Rafael
Fernandez Caballero

Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”

UPY

Photo: Rafael
Fernandez Caballero

Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”

“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”

Photo: Jenny Stock

In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”

UPY

Photo: Nuno Sá

More winning images can be found at www.underwaterphotographeroftheyear.com.

About Underwater Photographer of the Year

Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.

Header image: Underwater Photographer of the Year 2024 winner Alex Dawson

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World’s Best Underwater Photographers Unveil Breathtaking Images at World Shootout 2023

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The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.

Grand Prize Winners

  • Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
  • Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
  • Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 cash prize award.

Celebrating Diversity and Innovation

This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.

Looking Ahead: AI and Ocean Conservation

World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.

This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.

Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.

Explore the Stunning Collection

Discover the complete album of competition entries by clicking here.

For Low-resolution photos of finalist entries in eight categories, click here.

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