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Ikelite announce new housing for the Panasonic Lumix DC-G9

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Ikelite have announced a professional grade, compact waterproof housing for Panasonic Lumix DC-G9 Micro Four-Thirds Mirrorless cameras. Perfect for any application in or around the water from scuba to surf to pool.

The Panasonic Lumix DC-G9 is built for speed. It boasts a large 20MP Four-Thirds CMOS sensor, fantastic in-body image stabilization, and an updated autofocus system. The metal body is weather-sealed with a bright articulating rear LCD display and large, high resolution electronic viewfinder. The DC-G9 supports high-speed UHS-II media, captures Ultra HD 4K video at up to 60p, and features a high speed mode capable of up to 180 fps in Full HD.

Lens Ports

This housing features a robust Dry Lock (DL) port system. “Dry Lock” refers to the placement of the o-ring on the outside of the port mount. This improves visibility of the seal and reduces the chances of water dropping onto your precious camera sensor. DL ports are the lightest on the market, yet robust and capable of standing up to rough surf. Attachment is quick and secure. A system of extensions can accommodate a huge variety of lenses with ease.

Most popular zoom lenses and select lens focus rings can be engaged using a simple yet effective gearing system that puts adjustment right at your fingertips. A large, soft-touch lobed knob on the side of the housing makes fine tuned adjustments a breeze. Zoom and focus gears differ depending on which lens you are using. All are lightweight and affordable.

Vacuum System

The included vacuum valve allows you to pressurize the housing to check for leaks prior to putting your expensive equipment in the water. Use of the vacuum valve requires a compatible Vacuum Pump with Gauge # 47011, sold separately. There is no greater assurance than being able to see your camera and o-ring seal through the back of the housing. Our signature open-groove design suspends the rear o-ring in a natural position that is easier to maintain and more reliable than forcing the o-ring into a channel. Once the housing is closed you can see the o-ring form a solid, waterproof seal.

TTL Exposure 

This housing supports your choice of shooting manual or TTL strobes depending on your application. You can enjoy the fastest and most accurate TTL exposure on the market by adding the PT1K Panasonic TTL Kit with Hotshoe # 46031 and a compatible Ikelite DS strobe. Exposure compensation can be used added or subtracted in the camera. The flash bulkhead has been moved to the top of the case for improved cord routing and reduced strain. Reliable locking connectors between the hotshoe and bulkhead make it easy to install the optional TTL electronics or carry back up parts when traveling to remote locations.

Controls and Set-Up 

Shutter and AF/AE Lock levers stand out with super sensitive and natural feeling curved levers.  Both controls can be extended using the optional Shutter Trigger Extension # 4077.93 for more comfortable use when using a right-hand quick release handle. All push button controls are hard anodized aluminum to reduce weight and resist salt build-up. The back of the housing is laser engraved with control symbols which will never fade or fall off. The camera mount is front-loading for easy installation and removal. A small mounting plate attaches to the bottom of the camera and secures in the front of the housing. The camera mounting plate does not need to be removed from the camera for surface use or when changing the battery or memory cards. The mounting plate features a 1/4-20 threaded mount on the bottom so that it can be attached to a tripod on the surface.

Viewfinders 

The Super-Eye Viewfinder (included) provides an enhanced view of the camera’s optical viewfinder when viewed through a dive mask. The viewfinder removes quickly and easily for the attachment of an optional Straight Magnified Viewfinder # 6890 or 45° Magnified Viewfinder (Type 1) # 6891.1. The angle of a 45º viewfinder is more ergonomic when shooting underwater plus it provides a larger and brighter view than the standard Super-Eye.

Handling & Travel 

The housing, tray, and handles have been optimized to reduce weight while maintaining strength and durability. The Right-Hand Quick Release Handle # 4077.02 (sold separately) can be added or removed depending on your needs. The precision machined aluminum base features 1/4-20 tripod mounting sockets and additional mounting locations for future accessories. The base and handle can be quickly removed when breaking down your system for travel. A 1/4-20 threaded mounting point is located front and center on the housing above the lens port mount. This mount can be used to attach lightweight accessories like a focus light or GoPro camera.

If you’re shooting with two strobe or lighting arms, then a top handle can be added to carry to and from the dive site. Top handles are available in a Cable Grip # 4080.07 or Aluminum Top Handle # 4080.08. The rigid aluminum version provides additional mounting points for lighting and accessories.

Construction 

The new ABS-PC blend front is stronger than its clear counterpart, provides improved contrast and visibility, and keeps your camera running cooler in the sun. ABS-PC is significantly lighter than aluminum and is fundamentally corrosion-proof. Every housing is made in the USA, individually inspected for fit, and water pressure tested to 200 feet (60m).

MSRP $1595

Lens port sold separately. Available to pre-order now for late April release.


For more information about Ikelite products visit their website by clicking here.

Nick and Caroline (Frogfish Photography) are a married couple of conservation driven underwater photo-journalists and authors. Both have honours degrees from Manchester University, in Environmental Biology and Biology respectively, with Nick being a Fellow of the Royal Photographic Society, a former high school science teacher with a DipEd in Teaching Studies. Caroline has an MSc in Animal Behaviour specializing in Caribbean Ecology. They are multiple award-winning photographers and along with 4 published books, feature regularly in the diving, wildlife and international press They are the Underwater Photography and Deputy Editors at Scubaverse and Dive Travel Adventures. Winners of the Caribbean Tourism Organization Photo-journalist of the Year for a feature on Shark Diving in The Bahamas, and they have been placed in every year they have entered. Nick and Caroline regularly use their free time to visit schools, both in the UK and on their travels, to discuss the important issues of marine conservation, sharks and plastic pollution. They are ambassadors for Sharks4Kids and founders of SeaStraw. They are Dive Ambassadors for The Islands of The Bahamas and are supported by Mares, Paralenz, Nauticam and Olympus. To find out more visit www.frogfishphotography.com

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Diver Discovering Whale Skeletons Beneath Ice Judged World’s Best Underwater Photograph

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UPY

An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.

“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”

UPY

Photo: Rafael
Fernandez Caballero

Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”

UPY

Photo: Rafael
Fernandez Caballero

Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”

“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”

Photo: Jenny Stock

In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”

UPY

Photo: Nuno Sá

More winning images can be found at www.underwaterphotographeroftheyear.com.

About Underwater Photographer of the Year

Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.

Header image: Underwater Photographer of the Year 2024 winner Alex Dawson

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World’s Best Underwater Photographers Unveil Breathtaking Images at World Shootout 2023

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The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.

Grand Prize Winners

  • Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
  • Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
  • Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 cash prize award.

Celebrating Diversity and Innovation

This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.

Looking Ahead: AI and Ocean Conservation

World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.

This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.

Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.

Explore the Stunning Collection

Discover the complete album of competition entries by clicking here.

For Low-resolution photos of finalist entries in eight categories, click here.

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