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Ikelite announce housing for Panasonic Lumix DC-GX9

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Ikelite have announced a professional grade, compact waterproof housing for Panasonic Lumix DC-GX9 micro four-thirds mirrorless digital cameras; perfect for any application in or around the water, from scuba to surf to pool.

The Panasonic Lumix DC-GX9 is a solid and capable compact interchangeable lens camera. Customizable controls, a TTL flash hotshoe, and in-body 5-axis image stabilization make it a good choice for underwater use. The GX9 features a 20MP CMOS sensor, 4K/UHD video at 24p and 30p, and a 121-point contrast-detect AF system.

True TTL exposure

Proper strobe exposure is the #1 most important contributor to sharp and colorful underwater photos, particularly below 30ft/10m. This is the only housing to include an integrated TTL circuit fine-tuned to the Panasonic GX9 flash exposure protocol for the fastest and most accurate exposure possible. TTL communication by electrical sync cord improves camera battery life and recycle time, meaning you get many times more strobe-lit shots when you need them. The TTL circuit is powered by the strobe for zero maintenance and no batteries to change. Exposure compensation in TTL mode is supported using the camera’s built-in control. At this time, only Ikelite DS strobes are capable of powering the TTL circuitry. Non-Ikelite strobes featuring an electrical bulkhead may be attached by sync cord but must be used in manual exposure modes only.

Built-in Flash

The camera’s built-in flash may be used to trigger external fiber optic strobes. Two fiber optic ports are provided on the top of the housing for attachment of compatible fiber optic cords. The built-in flash is not suitable for lighting a subject underwater.

Extensive Lens Support

High quality yet affordable optics are available for an extensive range of micro four-thirds lenses from wide angle fisheye to macro. Custom optical grade acrylic domes provide the color, clarity, and durability of glass at a fraction of the weight and cost. Glass flat ports are available for macro lenses. The DLM port system is designed to be tough enough for heavy surf and to provide reliability in remote locations. The lens port attaches without twisting, threading, or complex mechanisms. Lens port sold separately. A compatible lens port is required for waterproof use.

Controls and Ergonomics

A trigger-type shutter lever control is designed for optimal sensitivity and a natural motion when shooting underwater. The standard control hugs the side of the housing for comfortable use when hand holding. The lever can be easily extended using the optional Shutter Trigger Extension # 4077.93 for more comfortable reach when using a handle grip. Soft-touch knobs are easy to grip with or without gloves on and provide quick access to important controls including front and rear dials and the mode control. Hard anodized aluminum push buttons are extremely lightweight and resistant to salt build-up and corrosion. The back of the housing features laser engraved control symbols which will never fade or fall off.

Camera Installation

The camera mount is front-loading for easy installation and removal. A small mounting plate attaches to the bottom of the camera and secures in the front of the housing. The camera mounting plate does not need to be removed from the camera for surface use or when changing the battery or memory cards. The mounting plate features a 1/4-20 threaded mount on the bottom so that it can be attached to a tripod on the surface.

Accessory Mounting

Two 1/4-20 threaded mounting points are included on the bottom of the housing for the attachment of a tray and handle grips. Handles provide improved ergonomics underwater and are the foundation for your lighting mounts. If you’re shooting with two strobe or lighting arms, then a top handle can be added to carry to and from the dive site. Top handles are available in a Cable Grip # 4080.07 or Aluminum Top Handle # 4080.08. The rigid aluminum version provides additional mounting points for lighting and accessories.

Sealing and Vacuum Testing 

There is no greater assurance than being able to see your camera and o-ring seal through the back of the housing. Ikelite’s signature open-groove design suspends the rear o-ring in a natural position that is easier to maintain and more reliable than forcing the o-ring into a channel. Once the housing is closed you can see the o-ring form a solid, waterproof seal. A spare 1/2-20 threaded accessory port is provided on the side of the housing for easily installation of the optional Vacuum Kit # 47012. A hand pump with gauge allows you to draw a vacuum on the housing to simulate water pressure and check for leaks prior to entering the water. Every unit is water pressure tested to 200 feet (60m) before it leaves our facility in Indianapolis.

Durability and Corrosion Free Performance

A custom ABS-PC blend housing provides strength and performance, year after year, with minimal maintenance. The ABS-PC material is fundamentally corrosion-proof and considerably lighter than aluminum. The specially formulated color deflects the sun to keep your camera running cooler, longer. Compared to black or clear housings, the light color provides superior contrast for enhanced view of the camera, LCD screen, and o-ring seal.

Made in USA

Ikelite products are designed, built and tested in the USA. The company uses locally sourced, top-grade materials. Their housings are built by hand and individually tested for fit and function. Products are backed with over 50 years of experience and the best reputation for service within the dive industry.

MSRP – $995

Lens port sold separately.

Available to pre-order now for early May release.

For more information visit the Ikelite website by clicking here.

Blogs

Diver Discovering Whale Skeletons Beneath Ice Judged World’s Best Underwater Photograph

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UPY

An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.

“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”

UPY

Photo: Rafael
Fernandez Caballero

Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”

UPY

Photo: Rafael
Fernandez Caballero

Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”

“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”

Photo: Jenny Stock

In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”

UPY

Photo: Nuno Sá

More winning images can be found at www.underwaterphotographeroftheyear.com.

About Underwater Photographer of the Year

Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.

Header image: Underwater Photographer of the Year 2024 winner Alex Dawson

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World’s Best Underwater Photographers Unveil Breathtaking Images at World Shootout 2023

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The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.

Grand Prize Winners

  • Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
  • Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
  • Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 cash prize award.

Celebrating Diversity and Innovation

This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.

Looking Ahead: AI and Ocean Conservation

World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.

This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.

Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.

Explore the Stunning Collection

Discover the complete album of competition entries by clicking here.

For Low-resolution photos of finalist entries in eight categories, click here.

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