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My first ever underwater photography workshop – the survival guide

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The first post from our latest blogger, diving and underwater photography enthusiast Miranda-Clare. Welcome to Scubaverse! Follow her on Instagram @divingphotos or visit her website www.mirandaclare.com.

I have just walked through my door after completing my very first underwater photography workshop. Surrounded by bags, my mind full of incredible memories and a camera full of images to process, I can hardly believe it’s already over.

Diving in Lembeh for the first time, I’ve now seen critters and corals like I’ve never seen before. Despite reflecting the whole flight home, I still can’t pinpoint my favourite moment. Was it seeing mandarin fish mating for the first time? Was it photographing the coconut octopus timidly peeking out from under the shells he had assembled for a home? Or was it the flamboyant cuttlefish and it’s rippling shades of yellow and purple? Can I say all three are my favourite on top of everything else?

My first workshop experience was exciting, frustrating, tiring and satisfying all at once. If you’re about to attend or planning to attend your first ever workshop, I wanted to share my experience with you. Particularly, I wanted to share my successes and frustrations in case you found the experience intimidating and overwhelming. You’re not alone!

So… let’s begin. What should you do in advance to make yourself workshop ready?

After I confirmed which workshop I wanted to attend, I was immediately advised to start planning my flights and to carefully consider the airline I chose. Why is this important? Not all carriers have the same baggage allowance. Consider what you’re taking and find an airline which will accommodate your baggage with minimal cost. Do you plan to travel with your own dive gear? How much does your camera weigh? Will you need warm or heavy clothes? Although this is a decision that is usually made months before your workshop, it can save you big money when you go to check in.

Once you’re a few weeks out, it’s important to consider what to take. Packing can be a nightmare but my advice to you if it’s your first workshop is to keep it simple. Ask your workshop leader for a copy of the agenda and take the bare minimum you need to successfully complete planned activities.

It can be tempting to take all your toys and goodies with you but unless the learning environment requires these additional items, they will probably sit in your suitcase and weigh you down. I packed a lot of optional extras this trip, thinking I’d get them out when we had a ‘free dive’. When it came down to it, all I wanted was to master the new techniques I was learning and focus on shooting in a new way. After all, I came here to try something new, not shoot how I’ve always done in the past.

Having said that, if you have back-up items bring them. Spare strobes, o-rings, chargers, cables, batteries, etc. You can never predict an accidental breakage, flood or mysterious performance issue with equipment. Expect the unexpected and be prepared to utilise a backup if required.

To minimise breakage or damage to your equipment, invest in a good quality camera bag and take as much of your equipment as carry-on as possible. I would strongly advise that you never check-in expensive or delicate equipment. You don’t want theft or breakage cutting your trip short before you’ve even stepped foot in the water.

Okay, now the heavy lifting is out of the way, let’s move onto the workshop itself. Let’s talk about comfort and confidence!

Now you’ve finally arrived at your workshop you will no doubt be excited to jump in the water and start shooting! At the same time, you will be starting to meet the other photographers who have joined the trip. Maybe you’ve found yourself surrounded by other first time workshoppers, or perhaps you’ve found that there are some experienced and accomplished photographers who have joined the group.

For me personally, I had a lot of experienced photographers on my trip who had incredible portfolios. At first, I found this incredibly intimidating. Am I good enough to be here? Will I look silly when it comes to sharing images with the group? I put so much pressure on myself to get great images right away.

The first two days of the trip, I couldn’t quite get into my rhythm. I made a lot of silly mistakes and wasn’t quite getting the shots I wanted. I remember thinking to myself “I know I can do better than this”, “what’s happening?”, “what will other people think?”. Then something on day three clicked and I had an epiphany that I wanted to share with anyone who may feel the same way on their first workshop.

You’re there to learn. You’re there to try something new and push the boundaries of your comfort zone. Part of growing is making mistakes, learning from them and pushing through your frustration. I realised when you’re trying a new technique, it’s almost inevitable to take a step backward to take three steps forward… and that’s okay. The more you practice and get valuable feedback on your work, the more you will find yourself growing. Ultimately, it’s very satisfying at the end of the week looking at your images to realise how far you’ve come.

I learned to embrace the difference of skills, abilities and taste in my group and get feedback on my images. You know what? It really wasn’t so bad. In fact, it was really positive. I learned so many tips and tricks from my group just by taking the plunge and sharing the photos I loved and those that I already knew I wanted to improve.

I totally appreciate how difficult this can be, trust me, especially when you’ve got some really gifted and experienced members in your group. Just remember that everyone starts somewhere and the group that you’re with are there for the same purpose. Everyone wants to grow and improve. This is a collaborative, group learning environment and how often are you in a position where you receive this kind of valuable, constructive feedback in everyday life.

Wrapping up this post and choosing which images to include, I realise just how much I am taking away from my first photo workshop. I am of course carefully scrutinizing images, wishing I’d done this or that with each one. However, more importantly, I’m remembering how much I enjoyed capturing each image and how each one represents a new way of photographing each subject. I can’t help but think about the new friends I’ve made and the laughs we had above and below the water. These memories, above all else, are the ones that will stay with me as I head back into reality and prepare for my next diving adventure.

Miranda-Clare attended the Lembeh photo workshop at Dabirahe with Suzan Meldonian.

All photos by Miranda-Clare Iddon – www.mirandaclare.com

Diving and underwater photography enthusiast Miranda-Clare first discovered her passion after moving to Grand Cayman in 2015. Since then, it has become her obsession to explore and capture the underwater world. Now based in South East Asia, she enjoys sharing her journey with other aspiring photographers. Find out more at www.mirandaclare.com.

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Diver Discovering Whale Skeletons Beneath Ice Judged World’s Best Underwater Photograph

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UPY

An emotive photograph showing a freediver examining the aftermath of whaling sees
Alex Dawson from Sweden named Underwater Photographer of the Year 2024. Dawson’s
photograph ‘Whale Bones’ triumphed over 6500 underwater pictures entered by underwater
photographers from around the world.

“Whale Bones was photographed in the toughest conditions,” explains chair of judging
panel Alex Mustard, “as a breath-hold diver descends below the Greenland ice sheet to bear
witness to the carcasses. The composition invites us to consider our impact on the great
creatures of this planet. Since the rise of humans, wild animals have declined by 85%. Today,
just 4% of mammals are wildlife, the remaining 96% are humans and our livestock. Our way
needs to change to find a balance with nature.”

UPY

Photo: Rafael
Fernandez Caballero

Whales dominated the winning pictures this year with Spanish photographer Rafael
Fernandez Caballero winning two categories with his revealing photos of these ocean giants:
a close up of a grey whale’s eye and an action shot of a Bryde’s whale engulfing an entire bait
ball, both taken in Magdalena Bay, Baja California, Mexico. Fernandez Caballero took ‘Grey
Whale Connection’ while drifting in a small boat, holding his camera over the side in the water
to photograph the curious whale. ‘The End Of A Baitball’ required Fernandez Caballero to dive
down and be in exactly the right place at the moment the whale lunged. “The photo shows
the high speed attack,” he said, “with the whale engulfing hundreds of kilograms of sardines
in one bite — simply unforgettable to see predation on such a scale.”

UPY

Photo: Rafael
Fernandez Caballero

Lisa Stengel from the United States was named Up & Coming Underwater Photographer of the Year 2024 for her image of a mahi-mahi catching a sardine, in Mexico. Stengel used both a very fast shutter speed and her hearing to catch the moment. “If you listen there’s an enormous amount of sound in the ocean,” she explained. “The action was too fast to see, so I honed in on the sound of the attacks with my camera to capture this special moment.”

“It is such an exciting time in underwater photography because photographers are capturing such amazing new images, by visiting new locations and using the latest cameras,”
commented judge Alex Mustard. “Until this year I’d hardly ever see a photo of a mahi mahi,
now Lisa has photographed one hunting, action that plays out in the blink of an eye.”
The Underwater Photographer of the Year contest is based in the UK, and Jenny Stock,
was named as British Underwater Photographer of the Year 2024 for her image “Star
Attraction”, which finds beauty in species of British wildlife that are often overlooked.
Exploring the west coast of Scotland, Stock explained “in the dark green depths my torch
picked out the vivid colours of a living carpet of thousands of brittle stars, each with a
different pattern. I was happily snapping away, when I spotted this purple sea urchin and I
got really excited.”

Photo: Jenny Stock

In the same contest, Portuguese photographer, Nuno Sá, was named ‘Save Our Seas
Foundation’ Marine Conservation Photographer of the Year 2024, with his photo ‘Saving
Goliath’, taken in Portugal. Sá’s photo shows beachgoers trying to save a stranded sperm
whale. The picture gives us hope that people do care and want to help the oceans, but also
warns us that bigger changes are needed. “The whale had been struck by a ship and its fate
was sealed,” explains Sá. “An estimated 20,000 whales are killed every year, and many more
injured, after being struck by ships-and few people even realise that it happens.”

UPY

Photo: Nuno Sá

More winning images can be found at www.underwaterphotographeroftheyear.com.

About Underwater Photographer of the Year

Underwater Photographer of the Year is an annual competition, based in the UK, that celebrates photography beneath the surface of the ocean, lakes, rivers and even swimming pools, and attracts entries from all around the world. The contest has 13 categories, testing photographers with themes such as Macro, Wide Angle, Behaviour and Wreck photography, as well as four categories for photos taken specifically in British waters. The winners were announced in an award ceremony in Mayfair, London, hosted by The Crown Estate. This year’s UPY judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Dr Alexander Mustard MBE.

Header image: Underwater Photographer of the Year 2024 winner Alex Dawson

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World’s Best Underwater Photographers Unveil Breathtaking Images at World Shootout 2023

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The winners of the prestigious World Shootout 2023 underwater photography competition were announced at this year’s BOOT Show, captivating audiences at the world’s largest diving and water sports exhibition in Dusseldorf, Germany. Hundreds of photographers from 54 countries competed across nine categories, pushing the boundaries of creativity and technical skill.

Grand Prize Winners

  • Picture of the Year: Spanish photographer Eduardo Acevedo “secured” the top Honor with the prestigious prize the “boot Dusseldorf Director’s Prize, earning an Andromeda statuette and a €2,000 cash prize.
  • Best 5 Images Portfolio: Luc Rooman from Belgium triumphed in this category, winning a dream 4-week diving trip for two to Papua New Guinea, valued at $18,900.
  • Amateur Photographer: Alexandra Ceurvorst from the USA impressed the judges with her talent, taking home the 1,000 cash prize award.

Celebrating Diversity and Innovation

This year’s competition saw 11,680 entries from 964 photographers, showcasing a remarkable spectrum of skills and perspectives. From the intricate wonders of Macro photography to the beauty of “Black Water”, the “Underwater Fashion” category added a touch of artistry and innovation, while the ever-important ” Environmental & Conservation” category served as a powerful reminder of the need to protect these fragile ecosystems.

Looking Ahead: AI and Ocean Conservation

World Shootout founder and producer David Pilosof unveiled an exciting addition for the 2024 competition: this year the Environmental category will be focusing on the impact of plastic on our oceans and future.

This category will embrace the potential of AI or other editing software as a tool to amplify the conservation message.

Entrants will submit campaigns of three original underwater photographs dealing with plastic pollution, along with their final AI assistance processing. This innovative approach encourages artistic expression while raising awareness about a critical environmental issue.

Explore the Stunning Collection

Discover the complete album of competition entries by clicking here.

For Low-resolution photos of finalist entries in eight categories, click here.

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